Old Empire: The General Setting

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I’m using the name “The Third Imperium”–because who doesn’t love the name Third Imperium! I love the idea of layers of civilization rising and falling.

But my setting has nothing to do with GDW’s Official Traveller Universe.

Instead, we get this:


FROM THE ASHES

A thousand years ago the Long Night fell, leaving many worlds in ruins. Many worlds survived as well, but did so without the ability of space travel or communication with other worlds. 

Tales of the Old Empire remained, bolstered by ancient cities and space stations floating in the sky over head and seen at night.

But for the most part survival took precedence. Over time the artifacts of the past—those few that remained—became an unnoticed part of landscapes across a dozen worlds.

The world of Bavraa, however, though crippled by the Long Night, never stopped thinking and dreaming about the past glories of the Old Empire. The nobles houses of the Bavraa worked tirelessly to repair its fallen technology and reclaim the glories of previous generations.

Bavraa began a renaissance of the Old Empire 200 years when it began construction of its own Jump Drives.

Merchants and diplomats traveled to nearby worlds, announcing the rebirth of the Old Empire (or The Empire). In the time since it has expanded its reach, heading out across the Bavraa Subsection.

The nobles of Bavraa do not see themselves as starting a new Empire, but rather that they are building a seamless continuation of the Second Imperium. Or, as it is often called, The Old Empire.


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THE OLD EMPIRE (BAVRAA)

Bavraa culture demands loyalty to the bloodlines going back to the Old Empire. Social status along genetic lines is a given and noble houses are intertwined in both family and loyalty. (Proper mates from outside the royal families are sometimes brought into the fold to ensure healthy gene pools—often without consent.)

The Bavraa noble houses are certain that they, and all the people of Bavraa, are the true heirs of the Old Empire and rulers of the worlds around them. And currently they are the only source of any interstellar technology in the region.


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THE ARRIVAL OF THE THIRD IMPERIUM

One hundred years ago the first scouts arrived from the Third Imperium. The scouts kept their distance, stunned to find several worlds had survived the Long Night and were rebuilding their interstellar technology independant of the Third Imperium.  Fifty years later the first envoys from the Third Imperium made contact with the leaders of various worlds.

Some contacts went better than others. 

The ruling houses of Bavraa declared as one that all worlds for twenty parsecs around Bavraa were off limits to all Imperial ships and troops. Any ships or troops bearing the Imperial Sunburst within those boundaries would be seen as declarations of war.


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A NOBLE HOUSE OF THE THIRD IMPERIUM ON DAVRAS

The native T’Kenkar of Davras, which had weathered their ice world’s hostile environment with ease and helped protect millions of humans over the centuries of the Long Night, invited the Third Imperium to establish a base on their world. They did this even though Davris falls within the boundaries Barvaa declared off-limits for the Third Imperium.

Most people believe the T’Kenkar did this to slow the advance of the Bavraa noble houses in their efforts to rule the subsection. But others note that the T’Kenkar are alien and mysterious and might have reasons no one can quite understand.

Emperor Gildun of the Third Imperium accepted this offer and awarded House Djaout a charter to establish a starport and trading base on the ice world.

Conflict—both hot and cold—broke out between Bavraa and Davras immediately. Duke Djaout keeps his troops on Davras. And no ships bearing the Imperial Sunburst are allowed to ply the space lanes. Instead, House Djaout keeps a low profile, using subsidized merchants and private contractors to carry out acts of espionage, trade, piracy, and covert war.

House Djaout has kept a low profile within the cluster, sponsoring ships that sail without the Imperial Sun and keeping his troops on Davras. Bavraa cannot–yet–prevent all trade and commerce between nearby worlds and the “Thirders” (as citizens of the Imperium are called). Over the past three decades more travellers and ships have arrived in Old Empire from beyond the Dead Worlds.

They are outsiders, sometimes welcome and sometimes not.  The rules are not always clear as to where Thirders fit into the social fabric in the Old Empire–and so danger arrives without warning on occasion. All of them know it is better to hide any symbols from the Third Imperium, and ships are repainted to remove markings of Third Imperium culture.

Such travellers work as merchants and soldiers of fortune as they make their way through the stars and across the worlds Bavraa hopes to rule one day.

But this does not mean the tension between Bavraa and the Third Imperium does not get hot. A year ago a ship activated its Jump Drive while docked at the B-Class starport House Djaout had built, causing a terrible explosion that shattered the starport and killed hundreds of people. The damage knocked the starport down to a C-class rating and it is now being rebuilt. No one claimed responsibility for the attack (if it was an attack), and while most people assume it was the work of House Itzcoatl of Bavraa, Duke Djaout has declared he has no proof to determine who was responsible and is still seeking leads. The noble houses of Bavraa offered to send aid. The duke refused it.

House Djaout has been tasked with destabilizing and delaying the efforts of Bavraa to unify the worlds around it under its rule. The Third Imperium is playing a long game. A full invasion would leave their home forces depleted and their troops months away. Instead, they want to build slowly, cripple the growth of the Old Empire where they can, and keep expanding at their own pace back home.

The noble houses of Bavraa, led by House Itzcoatl, know the Third Imperium is far away. They do not want to be so overt that they draw the attention and military might of their distant neighbor. If the noble houses of Bavraa can let the conflict remain calm and low key for enough time, they believe they can build a defense that will keep the Third Imperium at bay when they finally arrive in force.

And so piracy is sanctioned by both sides. Cover operations are always underway. Each side tries to curry favor and win the friendship of worlds within the subsection.

Fallen World Campaign [LotFP]–Twenty-Fifth Session

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My Lamentations of the Flame Princess Fallen Worlds campaign is still going… but with long breaks on and off. One of the members of the Monday Night Group is in another city at school. And since the pleasure of the game is built from the weird alchemy of the players at the table, I’m content to wait until we’re all gathered. (We got in a few sessions in December when she was back in town on break.)

We keep playing games. All sorts of games! I’ve Refereed a few games along the way as well. (We just wrapped up several months of 5e which was a lot of fun. A lot of heavy mechanical lifting… which was fun! But I’m looking forward to mechanical simplicity again. More on that in posts to come.)

I started typing this post months and months ago, catching up on the Lamplighters as they began their foray into Qelong Valley.

There was a lot of ground to cover. In particular I want to look back at what worked and did not work as I sat myself behind the screen again. Several session have occurred since this post. But I wanted to get this up on the blog!


The Lamplighters made their way up the Qelong River in a boat they bought. They kept two squads of mercenaries they brought with them from earth (or, rather, their earth) and left the rest of them guard the Das Forscher. They reached a poverty stricken village and sought out information about the fortress further upriver they had heard about. But the village was under the control of cannibals who sprang out from hiding when the group was scattered. The combat ranged across the village as the PCs worked to regroup. They ended up losing some of their mercenaries. The found out that the land seemed poisoned by the aakom that powered the magical weapons lobbed over the mountains by the arch-mages fighting their war beyond the Qelong Valley.

I wasn’t particularly happy with this session. It was the second session I had really prepped out a fight and tried to have a set piece of action. (The first was the fight in the village of Bergenzel (aka Scenic Dunnsmouth) and that one went gangbusters.) I think the key is that in this fight they were fighting only for survival after being ambushed (that is, they were only fighting), whereas in Bergenzel they had an actual agenda (find and destroy the Spider Cult). In the Bergenzel fight they had chosen to go after the danger, could decide to press on with things got crazy (and they got crazy) or choose to abandon their goals, they found themselves in the face of multiple factions and had to sort out what was going on in the middle of combat. All in all there was more going on than the fight itself.

So, pro tip to me: A fight for the sake of a fight in and of itself (in other words, survival) is actually kind of boring in an RPG, but a fight where something beyond fighting for survival will be interesting–or at least have a  better shot at being interesting.


The Lamplighters continued upriver, but setting their boat ashore and working their way up through some marshland in order to avoid being seen by patrols from Fort Hawk. They saw villagers tending to crops a few hundred yards away. And then they saw Naga-kin (though they had never seen such beasts before so I did not name them) rise up from the waters and attack the villagers.

So, in contrast to the previous fight, the Players/PCs now had a choice about what to do. (Several, really.) They could try to sneak past the Naga-kin. They could engage directly to protect the villagers. They could head back to their boat and try to slip past the Naga-kin on the water. They could retreat from the entire situation. All-in-all, more possibilities and choices. 

Also, and I just realized this, the situation was not static as it has been in the village. In the village the the villagers were just going about their business waiting for an opportunity to attack someone. Nothing was in motion, and this cut down on the tactical and strategic elements the PCs could engage with (physically or intellectually) until the trap was sprung. And when it was sprung, the only thing to do was fight for survival. There were no moving part but their own skins.

But in this encounter, the PCs saw first the villagers, then second the Naga-kin attacking them. This meant that right off the bat something was happening that had nothing to do with them. The world was alive with its own energy and motion, and the PCs now had choices to make about getting involved or not.

This is an important lesson I want to carry forward in my own Refereeing: An encounter with a monster (cannibals, for example) is not interesting. An encounter with a situation is interesting.

I’ll point everyone to this post on encounters, particularly the point where Mike Wightman talks about rolling three times on the Classic Traveller Patron table and a final time on the Encounter table. He then lets his imagination cobble together a larger situation using these elements. As he wrote on another website:

Easiest way is with an example (note that this is using the 81 version of LBB3 – Starter Edition and The Traveller Book actually have much more comprehensive tables)

I roll on the patron table and get:

rumour, avenger, army

next I roll on random person encounter

workers, animal encounter (a roll of 6,n I take as animal or alien) and ambushing brigands.

I pick the starting encounter:

Lets say the players encounter some workers who are obviously agitated, discussion with them reveals that the industrial plant they have been operating has been closed due to rumours of some violent native beast, and that some hotheads are thinking of going to hunt the animals down. There is a rumour that the animals in question have highly valuable (insert whatever you want here – anagathic glands, valuable fur, expensive blubber – whatever).

Players may or may not join the hunt, but they have been seen talking to the workers.

Next encounter depends – if they go on the animal hunt then they may encounter the ambushing brigands who are also after the animals, or they may encounter the army patrol guarding the industrial site and containing the animals.

If they don’t go on the hunt they are approached by the avenger who has lost (family member, best friend, whatever will pull players in) and offers to guide the players past the workers/army guards to get to the animals.

If they went along with the workers they may still encounter the avenger being attacked by the brigands/army patrol.

It’s fairly organic – I may decide to change the encounter order in response to player actions, and reaction rolls may make things more tense than they need to be.

And at some point I have to generate the animal stats…

This method reminds me of the terrific work in Hot Springs Island, a rather extraordinary system-neutral OSR setting. (There are no stats in the setting, allowing the Referee to both choose what rules system to use, but to create the difficulty for the party as needed.)

Hot Springs Island is a point crawl of an island of several dozen hexes, as well as several specific sites mapped out in detail (cavern systems, abandoned observatories and so on). The setting has several recursive encounter tables the Referee uses to create encounters either ahead of time or on the fly. But significantly the encounter involve not a single creature or group of creatures, but members of several factions that live on the island in conflict with each other or encountering each other. You don’t just come across an ogre, you come across an ogre battling to take hold a treasure from lizard men.

Note that this makes, again, the environment feel alive. The Players learn about the conflicts between the factions on the island not because the Referee reads them a text box but because they encounter the factions in conflict right before their PCs’ eyes. They can choose to step into the fight on behalf of one side or another in order to gain allies, or to try to wipe everyone out.

Like Wightman’s method quoted above, the setting is not about creatures waiting for the PCs to come along and fight them, but creatures and characters with their own agendas and concerns. By finding them in the middle of their own actions and motivations the world opens up, giving “hand holds” both for information about the world and for the PCs to engage in these lives in motion if they so choose to. This means the game can spin out into unexpected directions.


The fight itself was fun for several reasons:

First, because the Player Characters had chosen to engage the Naga-kin in order to protect the villagers. They want to earn the trust of the villagers to get more information about Fort Hawk, and so they had their own reason to fight. (Instead of fighting only because some random monster wanted to fight.)

Second, the fight was rough. The PCs are now fifth level and had gotten used to their hit points keeping them fairly safe during combat. But the Naga-kin are tough (their high HD gives them bonuses to hit) and they gouged hit points left and right from the party. They were damaging the Naga-kin, but not at a rate fast enough to guarantee they’d survive.

Characters were close to death, some going unconscious, until the magic-user was one of the few characters with full Hit Points. But she had acquired the spell Time Stop back in the village of Bergenzel. She cast it, successfully stopping time in the universe for five rounds just as a Naga-kin was about to pierce here with a trident.

In those five rounds she managed to: Draw and drive her dagger into the neck of the Naga-kin in front of her (killing it), draw a pistol from the Cleric’s brace and fire at another Naga-kin (killing it), and fire Magic Missile at a third (killing it). All in all it was an awesome moment of D&D play.

It also proves my theory that the Referee shouldn’t be too worried about giving out cool candy to the Players Characters. Yes, there will be moments when they are really powerful (Time Stop is powerful!) but the Magic-User can’t cast it all the time and there will be times when pulling out the stops with an extraordinary power not only keeps the party from being wiped out, but allows for a fantastic, cinematic moment to take hold at the table.

Why Only Two Religions in my King Arthur Pendragon Character Creation Booklet

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Or… why do I only have one type of Christianity in my King Arthur Pendragon Character Creation Booklet?

There are two broad parts to my answer: one is Setting, and the other is Mechanics.

But first, some historical context:

  • KAP 1st ed. had virtues for Christian, Pagan, and Wotan faiths.
  • There was no 2nd ed.
  • KAP 3rd edition had Christian and Pagan Virtues. The 3rd edition supplement Knights Adventurous added Wotanic and Judaism as faiths with virtues.
  • KAP 4th edition stapled together the pages from the KAP 3rd core rule book and Knights Adventurous, so the religious virtues found in the book are identical to those two books.
  • King Arthur Pendragon 5x is the first edition to introduce British Christianity as a set of Virtues and bonus distinct from Roman Christianity.

The Christianity in the 1st, 3rd, and 4th editions used the virtues that KAP 5.x uses to Roman Christianity.

I bring this up to point out that the introduction of British Christianity is a new notion, and I believe has a mechanical bump as described further down in this post.


SETTING
For a game of King Arthur Pendragon I simply don’t care about tensions in the Church and which Christianity might be right or not right. I understand it may be historically interesting to some people… and in another game I might find it compelling. But for I want to focus on, the nitty-gritty theological tensions of Christianity in a game about Knights is something honestly wouldn’t know what to do with.

Will my game’s Player Knights really care about the distinctions between British Christianity and Roman Christianity? I can’t imagine so. Exactly how is it interesting beyond theological concerns or people very versed in the nitty-gritty details of history? And since I won’t be introducing theological infighting as a theme or concern in the game, and I am working from the literary concerns of Le Morte D’Arthur (not historical research), I can’t see a need to add the extra version of Christianity.

Besides the lack of interest, there is also this: The text of KAP has always been at pains to point out that the split between Christian and Pagan Knights is not there to provide fodder for religious feuding. It can devolve into violence between Knights for the very bland and repetitive reasons.

For me, the fact there were two religions in the core (3rd and 4th) rules were to provide variety for the Player Knights and the Traits. That’s it. I literally have no interest in religious conflict in my game.

Instead, I am very much interested in the Religious Virtues as ideals that provide tension within the Player Knight. How do you live by Christian Virtues (Chaste, Forgiving, Merciful, Modest, Temperate) when your job is fight and kill, to watch your friends die by your enemy’s hands, and have a sword at your side that you can always draw to resolve your anger or jealousy when someone wrongs you?

The text of the game has always made explicit the notion that the game is about how hard it is to live by the ideals of the setting (whether Religious or Chivalrous), and that is the notion I want to mine with the game’s religions.

Having two versions of Christianity muddies the waters and begs the question, “Which one is right?” and removes us from the internal struggles of the knights and puts the focus on theological debates and religious war… which isn’t in Le Morte D’Arthur and has little interest for me in this setting.

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MECHANICS

The British Christianity makes it easy to hit both the British Christian Virtues and get the Chivalrous bonus.

Chivalry requires high values in the following (a sum total of 80):

  • Energetic
  • Generous
  • Just
  • Merciful
  • Modest
  • Valorous

Keep in mind that most Knights are going to have Valorous Traits of 15 or higher, so they really only need 65 or so points. With five more Traits to go to reach 80 points, each remaining Trait only needs an average of 12.5 points for the Knight to get the Chivalry Bonus.

So here is how the three Religious Bonuses break down:

Christian (earlier editions of KAP) / Roman Christian (KAP5.x) Virtues are:

  • Chaste
  • Forgiving
  • Merciful
  • Modest
  • Temperate

Which only lines up with two of the Chivalry ideals (Merciful and Modest)

Pagan Virtues (all editions of KAP) are:

  • Energetic
  • Generous
  • Honest
  • Lustful
  • Proud

Which only lines up with two of the Chivalry ideals (Energetic and Generous)

British Christianity (KAP 5x) Virtues are:

  • Chaste
  • Energetic
  • Generous
  • Modest
  • Temperate

Which lines up with three of the Chivalry ideals. (Energetic, Generous, Modest)

Sustaining both the Religious virtues and the Chivalric ideals should be difficult, in my opinion. Not impossible, but difficult.

While getting 80 points isn’t impossible, those points are going to come at the cost of raising Religious virtues to 16+. Remember that it takes to raise points either through checks or spending Winter Phase experience. Significantly, there are only so many points a Player can distribute each Winter Phase. At some point a Player will have to make decisions about what areas his or her Knight where his Knight is going to really excel.

However, I suggest that the nature of the British Christian virtues cuts down on this tension far too much. By having three of five religious virtues line up with three of six chivalric virtues, the mechanics make it much easier for a British Christian to sustain being a Chivalric Knight.

I understand there are a lot of reasons one might want to have distinct British Christians in the game, and I understand the logic of having some faiths having an easier time of sustaining Chivalry at the same time… but giving my first set of points about Setting above, for me it simply is a no brainer: If the Players, and the Player Knights, and myself as the GM do not care about religious tension between two types of Christianity, then there is no reason not to be a British Christian, and thus Roman Christianity falls by the wayside, so why have two types of Christianity?

Further, I want it to be difficult to sustain religious ideals alongside Chivalric ideals. I think that is very much a part of the structure and purpose of the game. Life is hard, ideals are hard, and mixing them all together is really hard.

I believe the addition of British Christianity might have had something to do with why Greg thought he had to make Chivalry harder in recent years. (He was toying around with raising the number of Trait totals above 80.) But the fact is if you take British Christianity out of the mix, it actually is a lot of work to get all those points high enough for both bonuses.


So, that’s my thinking on the matter.

I’m not dictating it to anyone, or expecting anyone to come along on my ride. But it is thought out, with actual reasons. And that’s why I returned to the Religious Virtues found in the earlier editions of the game.

Pregen Player Character Booklets for the RuneQuest Glorantha Quickstart

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In celebration of Runequest Gloranatha: Quickstart Rules and Adventure coming home with ENnie Gold, and because RuneQuest Glorantha is now available in PDF and soon to be available in print, and because I’ll be running the Quickstart at a local convention at the end of the month I decided to take the Pregenerated Player Characters and build little booklets for each PC.

Each booklet contains the relevant Rune Descriptions, Rune Spells, Spirit Magic Spells, and short descriptions of the respective PC’s cult, as well as all the other information contained on each of the PC’s character sheet from the Quickstart.

My design goal was to build a little booklet which would allow a Player to flip through the booklet and find the relevant information for a specific rule or topic on a given page.

I’m a big fan of the A5/8.5×5.5 format at the gaming table. They take up less space, you can hold them in your hands easily when flipping through them. The PDF is in a A5 format. You can print the PDFs using “booklet” formatting and get a 20 page doc on five sheets of paper. (There’s a short table of contents after the coverer page. The whole idea is to make an easy to use, easy to access document for someone sitting down to play RuneQuest Glorantha for the first time.)

The pages were built in A5 format. But you can easily print them in 8.5×5.5 format with only the slightest shrinkage to the text and no real effect on presentation.

These is a format that i came up with for myself, of course. Which reflects my own thinking and design principles. But I hope people might find them helpful for getting new demonstrations of the game up and running.

I haven’t done a final proof on these yet, so if you notice anything askew, please let me know!

Thanks!

RQG Yanioth QuickStart

RQG Vostor QuickStart

RQG Vasana QuickStart

RQG Sorala QuickStart

RQG Harmast QuickStart

More On Pointcrawls — and Thoughts on Pointcrawls for Traveller

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A few weeks ago I posted a link to a very smart post about pointcrawls from Anne at DIY & Dragons.

As Anne explained in her first post on the matter:

At its most basic, pointcrawling is a way of depicting space that maps a set of known locations as “nodes” that are connected by a limited number of “paths.” Depending on a judge’s time and artistic talent, this diagram could consist of little more than numbered circles connected by straight lines (something similar to the early Scorpion Swamp pointcrawl introduced in the Fighting Fantasy books, seen in Figure 1 below.)

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Figure 1. Scorpion Swamp from Fighting Fantasy 8

Alternatively, it could be much more detailed, either an artistic rendering or an information-encoding scheme to visually depict the location at each “node,” and likewise some method of giving more information about each “path.” In Figures 2 and 3 below, Hill Cantons shows a scheme for color-coding and labeling square nodes to show information about each location at a glance, while using different kinds of lines to instantly communicate information about the types of paths. (Really, his whole series of articles on this is an excellent read.)

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Fig. 2 – Horizontal Undercity from Hill Cantons

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Fig. 3 – Vertical Undercity from Hill Cantons


The post goes into a lot more detail. But I think the value of pointcrawls might not be immediately obvious because we are trained to expect full terrain maps and full deck plans.

But the fact is, a full deck plan of a starship might not be required for an evening of play for Traveller. Consider this: a pointcrawl could be made of a starship, showing all the chambers on board and the routes might be able to take from one chamber to another. There’s really no need to draw up full deck plans. And if one is focused on a “theater of the mind” presentation of the ship and onboard action to the Player rather than miniatures, a pointcrawl might actually make a lot more sense. One need only glance down at the nodes and connections to see where the Player Character is in relation to other elements of the ship. Notes can be marked up next to the nodes (or within them) or however you want to roll.

The point being that sometimes we get so caught up in “the way things are supposed to be done” we don’t think through, “What exactly is the most useful way to record and impart this information?” or “What do I really need to run the encounter on this starship?”

Here’s the pointcrawl of a 200 ton Type A Free Trader I just whipped up for this post.

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Notice that it tells me almost anything I’m going to need to describe what is happening on a ship. Most rooms are not going to be more than 8 meters across, which means that most combats will be at Close or Short range and sometimes stretch to Medium if the combats really make sure they’re firing at each other from one end of a longer room to another. Notice that cargo hold, even from end to end, falls within Medium range. (Notice too, that at certain points, where I thought it might matter, I noted the length or dimension of a room or corridor. One could do that with every room if one wanted to.

Now, listen. We all have access to the deck plans of a 200 ton Free Trader. This illustration isn’t that big a deal, in part because we all have those plans and in part because the lower deck of a Free Trader isn’t really that complicated or big.

But let’s say you needed to whip up a Corsair or any other kind of ship. The question is how much work do you really need to put into whipping up a new ship? Do you really need detailed deck plans to scale? Will your players ever notice if you don’t?

But let’s think about bigger locations:

  • space stations
  • underground mining operations
  • cities of a billion people
  • the continent of an alien world
  • and so on…

Do you really need a details map of all the locations?

My guess is no, you really don’t. You do need to know major locations. You do need to know how one place connects to another. (Is there a monorail between the two locations? Or do you have to walk? Use different colors for each type of movement and name travel times and your pointcrawl becomes both useful and efficient!) Entire continents can be mapped out this way, with key points of interested written down as nodes and notes about traversing the distances between the nodes right on the sheet. (Here’s a link to a post at Hill Cantons about replacing wilderness hex-maps with wilderness pointcrawls. Really worth checking out!)

Traveller is a tricky game in that the Player Characters can (and should) travel from world to world to world. This is, I think, one of the reasons the game can seem daunting to Referees (or would be Referees). If you’ve been raised on RPGs thinking you need full color maps of cities and continents draw to scale, the thought of having to create, say, 20 planets, along with all the cities, colonies, bases, and ancient ruins might seem overwhelming. And let’s be clear–IT IS OVERWHELMING!!! A given subector might have 20 planets. The idea that you, as the Referee will have all the details of those worlds mapped out and ready to go because the Players decide to have their characters pick up stakes and light out for another planet on a whim would drive anyone mad. This is supposed to be a fun hobby… not a full time job!

And keep in mind: When I write all of this, I am assuming that the original Traveller rules were designed for improvised playnot railroaded plots. The Player Characters should be able to pick up stakes and head off to a new world on a whim, and new troubles should arrive on a whim as well. That’s what the game is about.

Also keep in mind that the abstract range band system from the original Traveller rules. Marc Miller provided a solid, abstract system that could keep things moving along without getting bogged down in measuring every foot minutia. “Mapping” as we know it from early Dungeons & Dragons makes sense if you are underground, in an ill-lit environment, wondering if you’ll remember how to get out, while checking the map for empty gaps that might suggest there is a secret door you passed and missed earlier. You don’t need that level of mapping detail if you’re hangout out on a space station or taking a monorail from one city to another. The notion of pointcrawls fits right into the design philosophy of the original Traveller rules.

So, is it worth it to you to relive yourself of the responsibility of having to map out entire continents and space stations in order to give your players plenty of freedom, cut down on your prep time, and give yourself the confined to know you can handle whipping up whatever environment your players go to?


Finally, Anne has promised to get to a post about “mini-crawls” very soon. But in the meantime she has a new post up with more examples of pointcrawling.

Comments and Conversations about the Previous Post on Classic Traveller Personal Combat

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This post on personal combat in Traveller Book 1 generated some great comments both in the comments section, but on several other sites across the Internet.

Over at the G+ Classic Traveller community a solid conversation took place inspired by the post. Because we covered so many ideas and topics, and the nature of the conversation revealed people sorting out ideas (including myself) I thought I’d share the thread directly, allowing people to see how the ideas flowed.

Also the group is great. And if you are interested in Classic Traveller you should check it out.


Michael Thompson
Close combat with someone who has a clue with a firearm should be deadly in short order. I was part of the security response force aboard a submarine, and we stressed the importance of finding cover and concealment, and gaining surprise.


Christopher Kubasik
+Michael Thompson I think something that can throw people off about the original Traveller combat rules is that they want RPG combat to feel like … well, RPG combat. They want lots of rounds, a slow ablative decay of hit points, and durable PCs that have time to take stock of a battle that is going south and change tactics accordingly.

Marc Miller was a captain in the army and, believe, served in Nam. He wrote the rules to reflect how he saw a firefight would go. And so the game has rules that are brutal, quick, and dependent on the Players/PCs being smart long before the bullets start flying.


Jeff R.
Another excellent post. Something to consider is that, RAW, movement is normally completed before combat throws, so it would be possible (subject to Ref judgment) for the PC under fire to “evade into cover” before the combat throw is adjudicated, or maybe even “close range” from Short to Close. In the end I find CT combat fast, furious and fun, to steal a tag-line from another game.


Christopher Kubasik
+Jeff R. Yes! I implied that in the post, but didn’t spell it out. I should probably fix that.


Daniel M
At a past GenCon I ran a session in which a player, armed with a dagger, attacked a Stormtrooper in combat armor. After the dagger attack failed the trooper opened up on the player with his laser rifle and scored a hit. Everyone at the table knew that character was a goner. I picked up 5 dice, shook them, and dropped them in the middle of the table for everyone to see. 1, 1, 1, 1 and a 2. The player barely noticed the injury and the rest of his party toasted the trooper with their own weapons.

Hitting your target is only the first part of the story.


Jeff R.
+Daniel M Ha! I had something similar happen in my home game, where a foil-wielding Marquis charged an Auto-Pistol armed kidnapper and not only didn’t get hurt, but disarmed the cad…


Alistair Langsford
+Christopher Kubasik You’ve written a lot of good stuff on CT, but I think this might be the best article so far. CT and its combat always seemed to be a stumbling block with various groups when I was just getting into RPGs. But not the group I started with, of whom I and one other person out of about 8 were the only ones who didn’t have military and/or wargames experience. They had quite a different view from the rest of the roleplayers I gamed with.

I think one of the key reminders you make is that PCs are awesome when it comes to firefights. A fact many forget. But, to steal a quote from one of my favourite action movies, they’re still ‘Touchable’.


Jeff R.
Another excellent post. Something to consider is that, RAW, movement is normally completed before combat throws, so it would be possible (subject to Ref judgment) for the PC under fire to “evade into cover” before the combat throw is adjudicated, or maybe even “close range” from Short to Close. In the end I find CT combat fast, furious and fun, to steal a tag-line from another game.


Christopher Kubasik
+Jeff R. Yes! I implied that in the post, but didn’t spell it out. I should probably fix that.


Daniel M
At a past GenCon I ran a session in which a player, armed with a dagger, attacked a Stormtrooper in combat armor. After the dagger attack failed the trooper opened up on the player with his laser rifle and scored a hit. Everyone at the table knew that character was a goner. I picked up 5 dice, shook them, and dropped them in the middle of the table for everyone to see. 1, 1, 1, 1 and a 2. The player barely noticed the injury and the rest of his party toasted the trooper with their own weapons.

Hitting your target is only the first part of the story.


Jeff R.
+Daniel M Ha! I had something similar happen in my home game, where a foil-wielding Marquis charged an Auto-Pistol armed kidnapper and not only didn’t get hurt, but disarmed the cad…


Frank Filz
Great post. There’s a reason in Daniel M’s game when we were intercepting a ship, I had my character who had Vacc Suit-2 and Shotgun-3 EVA and come in through a different airlock (and note that a standard Traveller vacc suit counts as cloth armor). It should also be noted that the shotgun lets you hit multiple targets also… And it’s allowable at a higher law level than any other firearm…

Oh, and that Shotgun-3 skill, two of those skill levels came from mustering out…


Christopher Kubasik
+Alistair Langsford, this is a really solid point — which I made in the post but I think is worth reiterating here:

“AWESOME only in the sense of having that zero level Often people seem to complain that CT characters are limited and can’t do much and are somewhat fragile in fights. Not quite so. ON the other hand PC choices are sometimes less than awesome.”

The fact is once you add in the DMs for range, armor, and bonus or penalties for high or low characteristics, the skill level often becomes a relatively insignificant part of the calculation to hit that 8+.

Of course, most people in the world of Traveller have no combat training (not firing range training, but combat training) and so suffer the – 5 DM when using a weapon. In this regard, the PCs (with a default expertise of 0 or even skill levels) are definitely better than most folks — and so are awesome by comparison.

That most people pick up the rules, focus only on the skill rankings of a PC, and miss all those DMs for range, armor, and characteristics is caused by many reasons.

I suspect that one of them is that the combat DM matrixes split up the DMs for combat and thus makes it hard to see how the DMs will play out in a clear manner. A person sees those two matrixes, kind of gets hypnotized by all those numbers swimming around on the page that combine into something but it’s hard to see clearly unless you write it all out.

This is one of the reasons I made the weapon cards: I wanted to be able to see clearly what each weapons was going to be able to do in different circumstances. And I wanted my players to be able to see it clearly, too.


Christopher Kubasik
+Jeff R. This is an important point:

“Another excellent post. Something to consider is that, RAW, movement is normally completed before combat throws, so it would be possible (subject to Ref judgment) for the PC under fire to “evade into cover” before the combat throw is adjudicated, or maybe even “close range” from Short to Close. In the end I find CT combat fast, furious and fun, to steal a tag-line from another game.”

I want to think more about this because, of course, the NPC can move at the same time as well. He can be trying to cut the PC running for cover off, or try to get to a better flanking position if he sees the PC might try to evade into cover.

This matters because of something I have never thought about before, but I’m going to give it some thought: Since all movement is simultaneous and all firing is simultaneous, when does the Referee decide what the PCs will do? How does he decide it?

Does he write it down on paper before the PCs/Players declare movements? Does he let the PCs/Players declare first and then roll a die with two or three possibilities and randomly determine which action he takes, with different odds, perhaps for different actions?

Again, I’ve never thought this through, but I do think it is worth thinking about, as it will determine how the Player feel the combat system works, if they’re enjoying it, and can help layer tension and excitement depending on how choices and actions are revealed.


Frank Filz
Back in the day, when playing RPG systems with simultaneous action in combat, I always had the players make their declarations. I would have some idea what the NPCs/monsters would do before they made their statements. Reasonable reaction to other statements was acceptable (like changing where you moved if an NPC or other player made a movement that might impact what you were doing). While I did not have exposure at that time to Free Kriegspiel, I think the way I handled simultaneous action fits well with that philosophy. I rarely had complaints from players so it must have felt natural to players (even ones with no previous wargaming experience).

In fact, watching some play of Metagaming’s Melee turned me off of initiative systems (a fast enough character could move behind an opponent and strike from behind, without the opponent having any ability to turn as the guy was circling around him).

This issue also made me wary of explicit facing (and in college, the Cold Iron game a friend developed that we played a lot had a further issue with facing and such. We usually used a hex grid for combat, but only 4 people could attack one opponent, so how do you resolve things when 6 opponents can fit around you on the board… In the end, I had written up a house rules document that laid out combat in more detail as our play developed more in the “board game” direction in the same vein as D&D 3.x.

And with all of that in mind, for my Classic Traveller play, I will allow myself to be informed by Snapshot but I won’t directly use it, keeping combat more free form (but not entirely theater of the mind – I’m ok with using a map and a grid, but we won’t always count squares or hexes).


Daniel M
+Christopher Kubasik I have to disagree with your statement “the skill level often becomes a relatively insignificant part of the calculation”. With the bell curve of two six sided dice being so short a single +1 DM from skill level can make all the difference. See my previous posting “The Power of ‘1’”.


Jeff R.
+Christopher Kubasik I don’t use a methodical decision tree, I just have an idea what the NPCs will do, go around the table asking for actions (e.g., “I dive for cover, shooting the nearest kidnapper”, “I spray my gauss rifle across the largest cluster of thugs”, etc.). The players don’t always use the “evade, close range, open range, stand” options when stating movement, though usually it’s obvious, or I ask for clarification. When it comes to combat throws I’ll sometimes decide, sometimes roll to see if shots went off before someone reached cover, depending on circumstances. I’ve resisted trying to add anything more formal, and so far it has worked just fine.


Christopher Kubasik
Hi +Daniel M, I don’t think we are disagreeing. Please note that I’ve been banging the drum to get people to understand that a skill-1 is actually a big deal in Classic Traveller 2D6 bell curve for some time now.

What I think we need to focus on in the statement you quoted is the word “relatively.” For example, someone shooting at a unarmored target at short range with an SMG is going to get a DM +5 for firing at target not wearing armor and a DM +3 for firing at a target at Short range.

For armor and range DMs alone the shooter has racked up a DM +8. Obviously on a 2D6 bell curve this is an enormous advantage. So much so that on a Throw for an 8+ to hit the PC cannot miss.

I’m not saying the SMG-1 rating the shooter poseses doesn’t matter. I’m saying that in the situation described above it matters relatively less than other DMs. In this case a PC is going to have the same odds of an effective hit whether they have SMG-1 or SMG-0.

Which was the only point I was making. Skills matter, but they are not all that matters. But people, for whatever reason, really focus on the skills and their levels when reading the Classic Traveller rules.


Christopher Kubasik
+Jeff R. Do the players find out what the NPCs are doing before or after they declare actions? (Or is it a mix of some kind?) That’s what I’m curious about.

Because if you close range to get to melee and I open range with a firearm while you charge me you might get caught out in the open at short range and I get a shot off on you. That’s going to matter!

And I agree with pretty much everything you and +Frank Filz have written about keeping it simple.


Frank Filz
So if you declare backing off to open range, and my guy is trying to close with you, then we look at relative movement rates (they may be the same) and you probably get a nice shot off. It’s also hard to judge these things in abstract scenario, once in play, we have more information to make an adjudication with.


Todd Zircher
True, true, and backing up probably means that your opponent has been flushed from cover and is open to all kinds of other hurt. 🙂


Christopher Kubasik
Yes. The part about relative movement rates I understand.

I am trying to figure out the best order to decide/reveal the NPC’s choice to open range.

If i’m the Referee it might not occur to me to have the NPC back up until the Player announces his character is going to charge. But if actions are simultaneous should I be making decisions based on foreknowledge of the PCs’ movements?

If I’m the Player I might decide I don’t want to charge if the NPC is going to back up and leave me exposed to a shotgun blast at short range.

It seems to me that a) when actions are announced and b) when characters are committed to actions matter. And I’m thinking that through.


Jeff R.
I see the issue: I run a loose game where the PCs are of heroic stamp, and they always get the benefit of the doubt. But I do decide what the NPCs are doing before asking the players, and if the NPC actions might change what the player wants to do I generally give them a chance (Saving Throw) to change, as long as the change isn’t too drastic. The NPCs never get that chance, since the story isn’t about them.


Frank Filz
+Christopher Kubasik Yea, totally. Players can make their statements of intent conditional which helps. If the player was trying to decide whether to break cover to close and the NPC was going to open range, I think either the NPC’s intent would be clear to the PC before breaking cover, or it would be more the case of the NPC backing up in reaction to the PC breaking cover.

If it really became an issue, I’d possibly call for some kind of random throw to determine who gets to react to whom (note that many initiative systems actually leave the more reactive character committing first which can seem backwards – another reason to use common sense rather than a strict procedure).

Again, I think in the moment of play, there would be more information than our cooked up scenario to help decide what happens. That doesn’t mean talking and theorizing isn’t helpful in opening our eyes to different ways to interpret the situations we face in play.


Christopher Kubasik
+Frank Filz That all seems reasonable to me. I’m a big believer in “Let the fiction sort it out.” And my first post on this issue above suggests exactly what you suggest — if I’m not sure which way an NPC will go, I’d come up with a random die roll to determine a course of action.

Whether this is “theorizing” I have no idea. (Well, that’s not true. I certainly wouldn’t consider it “theorizing.”) The rules offer no instruction on how to handle this stuff. And my thesis for the Out of the Box posts has been that many of us have been “trained” to play a certain way — and that Classic Traveller works from assumptions counter to most other RPGs. By naming specific issues at hand in apply the Classic Traveller rules the would-be Referee can visual and imagine ahead of time how the application of rules might work out.

(As a side note: I think that in many ways Vincent Baker’s Apocalypse World is closest in spirit and application to games like Original D&D and original Traveller. One will note there is no initiative in AW as well, and the fiction finds a way…)


Alistair Langsford
+Frank Filz When I think about the rules, I think I have many of the same issues as +Christopher Kubasik mentioned when it comes to “simultaneous”. Mainly because of my experience from other games where you have to write your moves so the declarations as well as resolutions are simultaneous. When I’m gaming it I realise it often has come down to more of what you and +Jeff R. describe: order often becomes obvious. And we’ve forgotten to “roll for initiative” because tho’ we initially started with Mongoose Traveller we seem to have ended up running pretty much CT. I think I’ve been overthinking it. And, this isn’t a war game. I think you’ve all helped me get a better idea on how to run CT combat. Thanks.


Victor Raymond
Generally speaking, that’s why initiative has mattered in other game systems. Not that it allows someone to go first, it’s a matter of “are you acting, or reacting?” In a wargame, if you win the initiative, you have two choices:
1. Move and act first, attempting to gain an advantage before your opponent can stop you, or
2. Wait to see what your opponent does, and then act.

In either case, rules about movement and engagement model the consequences of your actions, and depending on your resources, your decision could affect the rest of the battle. A lot of this may seem abstract, but even on the 1:1 scale of CT, that’s what those bonuses for Tactics, Leader, and prior military experience model in the surprise roll.

A Marc Miller Interview at Gary Con X

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James from the James the Geek blog had the good fortune to play Traveller with Marc Miller at Gary Con X last weekend.  After the game he sat and chat with the group of players, and with James individually for a bit as well. As a fan of Traveller James had a lot of questions about the game and put them to the man himself. He has posted the results of his impromptu interview.

The conversation covered a lot of ground, but here are some answers from Miller I wanted to highlight:

  1. When Mr. Miller designed Traveller, he intended it to be a generic sci-fi roleplaying game system, in which we could play any science fiction game we wanted.  The Third Imperium setting came later.

  2. The rules, or systems, he included are there as an aid for when your imagination fails. He shared the example of world creation. “Think of a world. Now think of another one. And another. After a while you run out of imagination or things get a little boring.” That’s where the world generation system steps in and helps you by creating worlds that you now have to creatively explain. Why would millions of people choose to live on a desert world with a tainted atmosphere, for example? The more I learned about his play style, and his original ideas for the game, the more it became apparent that the systems, while there to aid us, could be completely ignored (and should be) in order to simply play the game

  3. While playing Traveller, Marc role-plays.  Very little rules. Traveller is truly a rules-light game system once you start playing.  For our scenario, we generated characters by only rolling up stats. No skills. Just stats and pick your service.  All rolls were made against those stats, but you couldn’t roll against the same stat again, until you had used them all.  Oh, and you had to support your decision on which stat to use. After that, it was all role playing. Creating a communal story. He made it up as he went along, allowed us to build the story, and acted as “referee” just as intended. After we were through, he said “There. Now you know how I play Traveller.”

  4. Originally, there was no intention to publish anything except rules.  He wanted players to use their imaginations and play in whatever world they wanted.

    The Imperium became the setting after a reviewer made a comment that he wouldn’t play a game that did not include a pre-defined setting. Marc implied that he didn’t want to play in one in which there was one. He said he had even written an article about it.

    I thought I recalled seeing it, but could only find a comment made in “Challenge/JTAS” Issue 29. Marc writes, “In our own naive way, we thought that the basic rule set was enough. It was a review in a fanzine run by Tony Watson that changed my mind. The reviewer, talking about Traveller, complained that there was not enough background and detail for the Traveller rules: each player had to make up his own. And Tony (as the editor) inserted a comment that he would never play a system that imposed a background on him. … it was my responsibility, as a game designer, and our responsibility, as a game publisher, to provide support for the role-playing system.”

    I believe that the ‘fanzine’ may have been “Space Gamer”.

  5. Money. It’s come up here a couple of times, so I asked Miller how he envisioned money would work in Traveller. He said he never thought people would really be transporting money, like credit or even cash. Instead, he gave the example that on one world you would buy a cargo load of pigs.  You would go to the next world and sell the pigs for a cargo load of turkeys and, hopefully, enough local currency to get supplies, fuel and repairs, and then move on, repeating the process. Personally, I think “Firefly” does a great job of demonstrating this in action. Of course, that still doesn’t answer how a ship gets paid off, and I didn’t ask.

  6. Traveller was most influenced by the “Dumarest Saga” books…

  7. His favorite version of the game is still Classic Traveller. Yeah us!

  8. He loves the character creation system because the dice rolls give you interesting characters to play. He pointed out how, during the weekend, he had several PCs that were really just dumb, and it was fun to see how the players handled playing those characters. He mentioned that this is what made the game interesting, and gave exciting results.

    During the game our rolls mostly consisted of “roll under the attribute”.

  9. While he doesn’t play Traveller using lots of rules, he does like to play with systems. Just like many of us here who play with building starships, or worlds, or the merchant system. T5 is this way. He said “I always wanted a system that would make interesting aliens with 5 arms and stuff and I couldn’t figure out how to do it. Finally I did.” I haven’t read T5, but given how much fun I have personally had playing the games within the Traveller game, I may have to pick it up some time, just because.

Now, there is little in the above that will surprise to the readers of the blog. I’ve been flogging these matters since the fall of 2015.

The weird thing is how many people did not believe me when I pointed out that there was no Third Imperium in the original rules sets, how the game was designed for everyone to create their own settings, how the game is designed to mostly be a conversation between the Referee and the Players and the Referee falling back on the rules when required.

On this blog I’ve talked about the improvisatory nature of running Traveller assumed in the original rules. The need for Referee to be adjudicating on the fly. The fact that a Player Character is not defined by his skills and he can do many things without skills. I’ve talked about the original inspirations for Traveller and how the notion that you must do it as “Hard Science Fiction” or you are doing it wrong is nonsensical. (Read the Dumarest books and tell me how much they teach you about science.)

Now, Miller has been making many of the statements above for decades–pointing out since 1981 that he assumed the rules found in the original boxed set would be the last Traveller material he would ever (or ever need to) publish. But despite actual interviews with the actual man who was actually there, the pushback against these bland facts was often crazy-fierce. In particular, the notion that Traveller is the Third Imperium and that if I wanted to address the rules and how to play the game I was somehow missing out on what Traveller actually is.

Which leads to the most interesting point about Millers comments above.

Miller states that Classic Traveller is his preferred version of Traveller. And the fact this is the edition he chooses to play at conventions gives lie to the notion that each iteration of Traveller is somehow an improvement or “advancement.” I bring this up because I have had had interactions with several people who consider Classic Traveller to be some sort of “introduction to Traveller” and really not worth much time when Traveller5 is around the corner.

I have stated from the start of Traveller: Out of the Box series that I believe Classic Traveller works–and works great–as is and without needing to be “fixed” or “improved.” Later editions add more and more complex rules or endless efforts to simulate reality–and if that is what someone wants more power to them. But as an RPG game used in the playstyle of the 1970s I don’t think the game can be beat.

Which brings to Miller’s point that while he likes the challenge of game design, he doesn’t use the complex game designs he creates. He doesn’t use rules that have rules for everything. He instead uses the simple, straightforward, Referee-driven rules of Classic Traveller.

I have a theory: Back in the 1970s GDW created a wonderful, light RPG rules set for playing Science-Fiction adventures in the far future. It provided a straightforward framework a Referee and Players could to play out countless kinds of settings and situations. For some settings and situations the Referee would have add rules, subtract rules, or simply ignore some rules–but that was part and parcel of the spirit and the letter of play in the mid-70s. After all, one could play a terrific and long campaign of Traveller on a single planet. If you never got around to using the cargo and passenger rules, that would be fine. The key is this: it was a framework for you to go do things with. The reason Miller didn’t think there would be need or demand for more Traveller products is because he assumed everyone would take the framework and go do what they wanted with it.

But something unexpected happened. Rather than taking the framework and doing what they wanted with it, people who bought the little boxed set of Traveller rules wanted answers. GDW assumed you would provide the answers you wanted for your game, but in short time it became clear the people who bought the game wanted GDW to provide answers for them. And this was completely contrary to how GDW thought you would use the game–and should use the game.

This tension of expectations between the designers of the game and the consumers was best illustrated in issue #2 of The Journal of the Travellers Aid Society. James Maliszewski sums up the matter here:

In issue #2 of JTAS, editor Loren Wiseman has a column where he takes exception to a review of Traveller Book 4, Mercenary, which appeared in issue #26 (June 1979) of Dragon. Among the complaints made in the review (by Mark S. Day) is “Laser pistols were missing from hardware.” Now, as any old Traveller hand can tell you, laser pistols weren’t originally included in the game. I’m not certain I can recall when they finally did appear (MegaTraveller in 1986?), but their absence was a common knock against the game, especially by fans of other SF RPGs.What’s interesting is the way that Wiseman dismisses the reviewer’s criticism:

Take, for example, the laser pistol. Although it does not specifically mention them, Traveller provides all the information needed to enable a referee to create them, with a little mental effort. Since, as referee, we are running the world, we declare that a laser pistol should be to a laser carbine as a conventional pistol is to a conventional carbine.

He then goes on at some length showing how he’d extrapolate the game stats of a laser pistol, concluding his efforts with the following:

The above example indicates how the Traveller rules can be used to create something not present in the rules. We don’t have room to describe everything. With a little imagination, a little research, and a lot of thought, almost anything can be made compatible with Traveller.

On some level, Wiseman’s reply to the review comes across as a little tetchy. On another, though, I find it reminiscent of the afterward [sic] of OD&D, where Gygax and Arneson ask the question “why have us do any more of your imagining for you?” That’s a sentiment that makes more and more sense to me as the years wear on, so it delighted me to see it expressed in the pages of JTAS so long ago.

It is my guess that the questions never stopped coming. Starting with laser pistols, the questions moved on to how “What, exactly, is Jump Space?” (when, in fact, it can be any of number of different things in any number of different settings), to “Please explain how an interstellar empire of 11,000 worlds would work.”

The questions never stopped coming. A great and vocal chorus demanded a half-dozen guys running a game company to nail down every possible application of the rules for Traveller as well as how an interstellar empire would work. All this despite the fact the game was designed for the Referee and Players to come up with their own setting and details for their own table.

It is my belief then, that Miller has spent the last four decades, on and off, trying to come up with a rules set the will satisfy this choir of questions. A game so broad in its application (in other words: everything) that it could provide and answer to everything with the text of the rule book, whether it be about having a roll defined of every situation or a method of answering any question about the settings.

And so we have Traveller5. Now, there are people who want games like Traveller5–and so I’m glad Miller is making this game for them. There is a need and desire for this product, and Miller is doing his damndest to deliver.

But here is the important thing: Marc Miller doesn’t play Traveller5. He plays Classic Traveller. Traveller5 is for all the people who want a game that will provide all the answers for them, an audience that Miller wants to please, but he himself is not that audience. He built the game he wanted to play 40 years ago. He’s still enjoying it.

Using Original TRAVELLER Out of the Box — Tales of the Wizard Nebula

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Over at Tales of the Wizard Nebula, John Miskimen is putting together an original setting using Starter Traveller, along with Mayday, Snapshot, and Supplement 4: Citizens of the Imperium.

He’s well on his way to nailing down most of the conceits. You can go check out what he’s already done. He’s a portion of what you’ll find on the page, as he lists his agenda for the setting:

Things I want out of this game setting:

  • Slower FTL Travel. 
  • AI created Jump Gates that even out to six months per parsec Jump.
  • Cold Sleep pods replace Staterooms on intersteller vessels
  • AI is very much a part of the setting.  The very first AIs developed in The Deep Web almost a century ago, where they could develop and grow with controlled (by the AI) human interaction. When they emerged, they were more advanced than their designers and have lent limited aid to their creators, that which aids the AIs themselves as some would contend.
  • The AI developed robotic servants to maintain their digital existences in the so called ‘real world.’ There is very little direct interactions with humans
  • Mankind has developed various technological breakthroughs with AI assistance, such as cloning, android creation, and improved robotics. Some speculate that this has only happened to better affect the merging of AI and biological life.
  • Meanwhile, with the development of Jump Gates, various Mega-corporations have sponsored  travel to the stars and created several colonies. Naturally, the Military has mirrored this endeavor, but in reality, it was the corporate world that conquered space travel.
  • Private space travel is a luxury and not particularly commonplace. Star travel is dominated by majority trade operations and military applications.

A Smart Blog Post from DIY & Dragons: Sub-Hex Crawling Mechanics – Part 1, Pointcrawling

LastGaspCorpathiumPointcrawl

I’m beginning to piece together the city of Xam in the Qelong Valley for when I pick up my Lamentations of the Flame Princess game. (A member of the group is currently running Star Wars: Edge of the Empire. Pew-Pew!)

For context:

Two barely conceivable beings have fought a war for a generation over Sajavedra. They wish to claim its rich harvests of souls and fields, its intricate networks of ley lines and temples, for their own. They use weapons of unspeakable magic, and sometimes their weapons target the province of the Qelong Valley. Xam was once the capital of Qelong. Missiles filled with magical energy called Aakom struck the city four generations ago. Because of the magical nature of the city the weapons not only did horrible damage, but raised the city onto a sheer mesa 1,000 feet high and corrupted it with all sorts of magical energies. (Think Area X from The Southern Reach Trilogy, if you’re into that sort of thing.)

My mind, however, has been somewhat boggled: How, exactly, do I map out a ruined city that is about 6 miles across and about 18 miles in length?

Not, “How do I make a map?” But what is the best procedure for building a useful diagram for my Players and I to interact with to produced the most fun. I want my Xam to be a mini-hex crawl of sorts, with each hex about 2 miles across. I want to have at least three interesting locations per hex (even if it just a magic fountain) and a few of these locations should be mini-dungeons or full dungeons. The place should be full of ruins covered in a strange jungle, with countless weird environmental issues as well as the ruins of survivors and the dead who harnessed the strange magical energies that have cut their city off from the rest of the world. (Some have succeeded, some have failed.)

I wasn’t satisfied with the hex crawl component of Qelong we played last year. It was fine… but I felt like I was missing some sort of fun that had lured me to the notion of hex crawling. (All my efforts to ask folks about hex crawls on forums had let to answers like: “It’s a hex crawl. You know… with hexes!” Which might be enough of an answer for some folks, but I’m always on the lookout for procedures and techniques that will help the game run smoothly and maximize the fun.)

I’ve been recently inspired by a recently released hex-crawl called Hot Springs Island. It, too, works at a scale of 2 miles per hex. A reviewer referred to it more as a “pointcrawl than a hexcrawl.” And in this technique I saw a way to help me map out Xam for best effect. That said, I wasn’t that sure of what a “pointcrawl” was either.

Imagine my delight, then, in coming across this blog post by Anne at DIY & Dragons: Sub-Hex Crawling Mechanics – Part 1 from a few days ago. In it she does a deep dive into pointcrawls, using examples from many games and blogs. (The illustration above is one of the examples she uses. It is the city of Cörpathium from over at Last Gasp, built from a series of tables that you should really check out if you’re into this sort of thing. It’s already given me some ideas of how I want to build tables for Xam. Also, Last Gasp is great, and I suspect I’ll be using a lot of material from the site to flesh out Xam. It has the perfect mix of weird and usable.)

At the top of the blog Ann writes:

Beyond Formalhaut recently wrote about wilderness exploration, and it got me thinking about a pair of posts I’ve been wanting to write for awhile now, comparing the two major ways I know of to explore adventuring sites within the wilderness: pointcrawls and mini-hex-crawls.

By “adventuring sites” I mean spaces that call for a new scale for mapping. They’re larger than dungeons, too large for 10′ squares, but smaller than the overland wilderness, too small for 6 mile hexes. The ruined city is perhaps the archetypal “adventuring site” that seems to demand a new scale for mapping, but it could be any (probably outdoor) location that the characters can explore directly, rather than having the encounter hand-waved or abstracted – the exterior surrounding a dungeon, a cemetery or graveyard, a garden, a battleground, perhaps even the characters’ own campsite. Adventuring sites call for a new kind of mapping to put them on paper, and a new kind of procedure to bring them into play.

Pointcrawls and minicrawls are two different ways of mapping these new spaces, two different procedures for tracking and running the characters’ movement through the space.

These are referee-facing mechanics. For the most part, the only person who will be directly affected by the choice will be the judge running the game, not the players.

There may be some effect on the players. In my opinion, pointcrawls seem to lend themselves to running adventuring sites where all (or almost all) the sub-locations are known, the paths between those locations are limited, and travel along those paths is uneventful. Minicrawls seem to lend themselves to running adventuring sites where there are few (if any) scripted locations, where most content is procedurally generated, where movement is essentially unrestricted, and where travel and discovery are themselves the primary activities within the site. In short, I think pointcrawls work best for more dungeon-like locations (and locations with more keyed encounters), while minicrawls work best for more wilderness-like locations (and locations with more procedural generation.)

Part I of Ann’s posts is about pointcrawls. I’m looking forward to Part II about mini-hexcrawls.