More On Pointcrawls — and Thoughts on Pointcrawls for Traveller

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A few weeks ago I posted a link to a very smart post about pointcrawls from Anne at DIY & Dragons.

As Anne explained in her first post on the matter:

At its most basic, pointcrawling is a way of depicting space that maps a set of known locations as “nodes” that are connected by a limited number of “paths.” Depending on a judge’s time and artistic talent, this diagram could consist of little more than numbered circles connected by straight lines (something similar to the early Scorpion Swamp pointcrawl introduced in the Fighting Fantasy books, seen in Figure 1 below.)

ScorpionSwampPointcrawl

Figure 1. Scorpion Swamp from Fighting Fantasy 8

Alternatively, it could be much more detailed, either an artistic rendering or an information-encoding scheme to visually depict the location at each “node,” and likewise some method of giving more information about each “path.” In Figures 2 and 3 below, Hill Cantons shows a scheme for color-coding and labeling square nodes to show information about each location at a glance, while using different kinds of lines to instantly communicate information about the types of paths. (Really, his whole series of articles on this is an excellent read.)

HillCantonsUndercityPointcrawl

Fig. 2 – Horizontal Undercity from Hill Cantons

HillCantonsUndercityVerticalPointcrawl

Fig. 3 – Vertical Undercity from Hill Cantons


The post goes into a lot more detail. But I think the value of pointcrawls might not be immediately obvious because we are trained to expect full terrain maps and full deck plans.

But the fact is, a full deck plan of a starship might not be required for an evening of play for Traveller. Consider this: a pointcrawl could be made of a starship, showing all the chambers on board and the routes might be able to take from one chamber to another. There’s really no need to draw up full deck plans. And if one is focused on a “theater of the mind” presentation of the ship and onboard action to the Player rather than miniatures, a pointcrawl might actually make a lot more sense. One need only glance down at the nodes and connections to see where the Player Character is in relation to other elements of the ship. Notes can be marked up next to the nodes (or within them) or however you want to roll.

The point being that sometimes we get so caught up in “the way things are supposed to be done” we don’t think through, “What exactly is the most useful way to record and impart this information?” or “What do I really need to run the encounter on this starship?”

Here’s the pointcrawl of a 200 ton Type A Free Trader I just whipped up for this post.

IMG_1190-2

Notice that it tells me almost anything I’m going to need to describe what is happening on a ship. Most rooms are not going to be more than 8 meters across, which means that most combats will be at Close or Short range and sometimes stretch to Medium if the combats really make sure they’re firing at each other from one end of a longer room to another. Notice that cargo hold, even from end to end, falls within Medium range. (Notice too, that at certain points, where I thought it might matter, I noted the length or dimension of a room or corridor. One could do that with every room if one wanted to.

Now, listen. We all have access to the deck plans of a 200 ton Free Trader. This illustration isn’t that big a deal, in part because we all have those plans and in part because the lower deck of a Free Trader isn’t really that complicated or big.

But let’s say you needed to whip up a Corsair or any other kind of ship. The question is how much work do you really need to put into whipping up a new ship? Do you really need detailed deck plans to scale? Will your players ever notice if you don’t?

But let’s think about bigger locations:

  • space stations
  • underground mining operations
  • cities of a billion people
  • the continent of an alien world
  • and so on…

Do you really need a details map of all the locations?

My guess is no, you really don’t. You do need to know major locations. You do need to know how one place connects to another. (Is there a monorail between the two locations? Or do you have to walk? Use different colors for each type of movement and name travel times and your pointcrawl becomes both useful and efficient!) Entire continents can be mapped out this way, with key points of interested written down as nodes and notes about traversing the distances between the nodes right on the sheet. (Here’s a link to a post at Hill Cantons about replacing wilderness hex-maps with wilderness pointcrawls. Really worth checking out!)

Traveller is a tricky game in that the Player Characters can (and should) travel from world to world to world. This is, I think, one of the reasons the game can seem daunting to Referees (or would be Referees). If you’ve been raised on RPGs thinking you need full color maps of cities and continents draw to scale, the thought of having to create, say, 20 planets, along with all the cities, colonies, bases, and ancient ruins might seem overwhelming. And let’s be clear–IT IS OVERWHELMING!!! A given subector might have 20 planets. The idea that you, as the Referee will have all the details of those worlds mapped out and ready to go because the Players decide to have their characters pick up stakes and light out for another planet on a whim would drive anyone mad. This is supposed to be a fun hobby… not a full time job!

And keep in mind: When I write all of this, I am assuming that the original Traveller rules were designed for improvised playnot railroaded plots. The Player Characters should be able to pick up stakes and head off to a new world on a whim, and new troubles should arrive on a whim as well. That’s what the game is about.

Also keep in mind that the abstract range band system from the original Traveller rules. Marc Miller provided a solid, abstract system that could keep things moving along without getting bogged down in measuring every foot minutia. “Mapping” as we know it from early Dungeons & Dragons makes sense if you are underground, in an ill-lit environment, wondering if you’ll remember how to get out, while checking the map for empty gaps that might suggest there is a secret door you passed and missed earlier. You don’t need that level of mapping detail if you’re hangout out on a space station or taking a monorail from one city to another. The notion of pointcrawls fits right into the design philosophy of the original Traveller rules.

So, is it worth it to you to relive yourself of the responsibility of having to map out entire continents and space stations in order to give your players plenty of freedom, cut down on your prep time, and give yourself the confined to know you can handle whipping up whatever environment your players go to?


Finally, Anne has promised to get to a post about “mini-crawls” very soon. But in the meantime she has a new post up with more examples of pointcrawling.

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11 thoughts on “More On Pointcrawls — and Thoughts on Pointcrawls for Traveller

  1. Good point. Most of my off the cuff maps (and I bet lots of other people’s) are like that. Never thought to do it for a starship. What a timesaver! And it reminds me of the node maps I used to make playing ‘adventure’ style computer games.

    • While I can see how there are visual similarities between the pointcrawl diagrams and DGP’s Nugget format, I need to point out that they are not the same thing at all to avoid any possible confusion.

      The Nugget format was one of several formats created for a publisher to write and nail down an RPG railroad. Even if there are “side tracks” available, the Nugget system depended on scenes that “have to” happen, and the scenarios are designed to force the Players/Player Characters along certain expected paths and toward certain climaxes.

      While I appreciate many people do like this style of play, refereeing and RPG prep, it is not a style I like at all, and I’d never do anything to advocate such play.

      (Note the links in the article above, where I lay out in several blog posts that Traveller was originally built (as were all RPGs of the start of the hobby) not to presume a pre-set “story” the PCs were to follow, but “situations” that the PCs would confront that would then spin out into more situations… with neither the Players or the Referee ultimately knowing where they were going. The notion of the railroaded story plot is the opposite of how I like to play RPGs.)

      Instead, the pointcrawls are terrific notations for the Referee for handling and keeping track of where the PCs can go, how long it might take, what the options for movement are and so on… all without getting bogged down in creating the detailed maps that we a) all LOVE; and b) can be quite time consuming and create a prep to play ratio that some people might find onerous.

      Pointcrawls used as a notion for geography don’t dictate any order of events, expectations for the night’s session, or any kind of story. The PCs might travel between two nodes back and forth all night, and the Referee has no expectation of any other nodes they should go to.

      Instead, what I am advocating is in a game where the Player Characters can travel between worlds in a moment’s notice, or jump in an air raft and traverse a chunk of a continent, or arrive at a whole new city the Referee hadn’t prepped for at all, a system for setting up major points of interest and methods for tracking travel times and routes with nodes and lines makes a lot more sense then expecting the Referee to whip out a sheet of hex paper and craft an entire new planet or metropolis.

      Even if used as a tool of pure exploration, the purpose of the pointcrawl is *not* to guide or steer the PCs along a certain path or set of encounters. It is to make the Referee’s job easier in terms of tracking geography in a more efficient method. It has nothing to do with forcing the PCs along certain paths or toward certain scenes or encounters the Referee can’t wait for the PCs to reach.

      With all that said, I wanted to see Bush’s Amber Zone/Nugget work. However, the link does not seem to work. I tracked the page down and here is a shorter version of the link that I think might work better:
      https://bit.ly/2E2fpYz

      While I appreciate the that details of the situations are more clear laid out than the presentation in JTAS, again, I never assume I know what the PCs are going to end up doing, caring about, or driving for by the time the game is underway. But I appreciate the method does work for many people.

      • Two things.

        1) In defence of the nugget format, which I quite liked, it is a tool just like so many others – so it didn’t always get used quite the way it was intended. I used it to help come up with a structure that became a guide for running scenarios. It was a long time ago now – but I remember clearly that with the people I game with, getting them to follow a plot line is like herding cats. Letting them, if they discover & choose to follow, is fine. I tried it when this first became popular, and for me and my friends it mostly didn’t work. But I found using the DGP nugget style helped me be better prepared. I just learned to be prepared for the scenes that ‘must happen’ not happening, and if things were a bit too rigid, I adapted them prior to play. IE I avoided the railroading behaviour (mostly) that they encouraged. I’m not sure anything ever played out as originally conceived and written, whether it was purchased or home grown. But the planning always helped. Mainly to warm up my mind, I think.

        So are there any special things you do for coping with the PCs being able to go anywhere? Other than using the rather excellent inspirations in the CT tables? Do you pre-roll a few patrons or NPCs, for example? I’m curious because I’m finding it harder to ‘wing it’ these days.

      • Can you tell me what you think I mean by improvised? Because what I mean and what you mean might be two different things.

        I gave an example of improvised play here:

        https://talestoastound.wordpress.com/2017/07/03/an-improvised-classic-traveller-convention-game/

        I provided the players with a situation: a map to a valuable relic on a world caught up in conflict; and pirates on the trail of the PCs.

        I had no idea what would happen after I handed off the situation. No path. No climax planned. Note that the pirates NEVER SHOWED UP.

        I had no idea the Players would get themselves hired as part of the local militia and so on.

        I didn’t go in with nothing. I went in with a situation, conflicts (some directed at the PCs (pirates), some not (the local war), a possible goal, and the awareness the Players might well make up THEIR OWN GOAL that I could not possibly anticipate. With these pieces in place I began, creating new PCs, locations, and situations on the fly.

        Note that creating characters in Traveller is a snap. Six characteristics, maybe a skill or three, and your done. I don’t think there is any RPG where stat-blocking and creating characters is easier. Which is one of the reasons why I feel so comfortable creating adventures on the fly — the game was built to do this.

  2. I’ve given the point-crawl format a try with an adventure location I’m working on for an upcoming game. It looks good, and goes so much faster than graph paper and rulers. But I still like graph paper & rulers. I may not use them for everything, though. If my player’s group get a ship, it deserves proper deck plans b/c they will use it all the time. But a once-and-done location can be sketched in minutes with this method. Thanks, Chris.

  3. I’d be interested to hear more about how the pointcrawl works in actual play. My question is how does the referee communicate the options to the players? In some circumstances it might make sense to share an edited version of the pointcrawl, e.g. a list of points of interest in a city or district. Other times that might not work so well. Grateful if someone could point to some actual play examples, or share other thoughts on how it could work.

    • I haven’t done a point crawl, but for a city, I would expect one way to navigate is to get directions from an NPC. You might be able to get optional directions so as to navigate the different routes. Over time, the players will build up a knowledge of the city and it’s connections.

      For wilderness, you would be presented with options: follow the road, follow an old game trail, work your way along the river (or take a river boat of some sort), etc. Look at non-hex wilderness maps, how would you navigate them?

      Wilderness point crawls superimposed on a non-hex map like the example at the top of the post work really well. Here’s a board game point crawl that came immediately to mind when thinking of this:

      https://boardgamegeek.com/image/306339/search-emperors-treasure

      Actually, looking at that again, it’s a really good example. The one thing that it doesn’t show that could be valid is a route on the river at the bottom of the map, but it does show how a point crawl could work for sea travel.

      • Following up on Frank’s points:

        to the Players. The Referee (in the first stage, I suppose we might call it) simply describes to the players what is before them. There’s a long, studied history of this kind of play in RPGs. A second option would be to have a second sketch, a rough one, on a sheet of paper, set out on the table, that the Referee keeps building as more information is recorded and the Players want firmer data.

        The third option is for the Players to take notes and build their own diagrams and maps as they decide things are important to keep track of. Again, this is how RPGs have worked for decades.

        Here’s the thing: If people (the Referee, the Players) really *want* a detailed map, one can be made/found/provided. I’m not arguing against having a fancy deck plan for the Player’s Ship. I am saying that thinking one has to have a detailed map of *every* location that might show up in a Traveller game not only is daunting but might well waste a lot of time.

        I also know (because its a hot topic in RPG circles these days) that in lots of groups the Referee simply places maps in front of Players a lot of the time. (This seems to be especially a part of hangout /Roll20 play.) I understand why people might do this — but I am specifically talking of a kind of play where the Referee describes and the players take notes and make maps on their own as they see fit.

        Also, I understand maps will certainly be helpful in certain tightly tactical situations. I also believe some groups will be find with more “Theater of the Mind” play without needing detailed, gridded maps.

  4. Thanks for the reference example on improvised play. I think my idea of improvised is quite similar to yours. Perhaps not as precisely formulated. I’m just not as practiced either I think.

    Thinking about the pointcrawl stuff, I realise I generally run cities as a point or zone crawl. Not streetplans, or grid/hex movement. Just zones to move through from source to destination, with encounter rolls based on situation. Detailed maps aren’t actually that detailed, mostly enough for some tactical considerations to come to bear, cover & obstacles to be identified, and then semi-theatre of the mind like. World’s or the starport are the same. Just never thought to really do the same for a starship. Which, in hindsight, is perfectly reasonable.

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