Old Empire: The General Setting

I’m using the name “The Third Imperium”–because who doesn’t love the name Third Imperium! I love the idea of layers of civilization rising and falling.

But my setting has nothing to do with GDW’s Official Traveller Universe.

Instead, we get this:

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FROM THE ASHES

A thousand years ago the Long Night fell, leaving many worlds in ruins. Many worlds survived as well, but did so without the ability of space travel or communication with other worlds. 

Tales of the Old Empire remained, bolstered by ancient cities and space stations floating in the sky over head and seen at night.

But for the most part survival took precedence. Over time the artifacts of the past—those few that remained—became an unnoticed part of landscapes across a dozen worlds.

The world of Bavraa, however, though crippled by the Long Night, never stopped thinking and dreaming about the past glories of the Old Empire. The nobles houses of the Bavraa worked tirelessly to repair its fallen technology and reclaim the glories of previous generations.

Bavraa began a renaissance of the Old Empire 200 years when it began construction of its own Jump Drives.

Merchants and diplomats traveled to nearby worlds, announcing the rebirth of the Old Empire (or The Empire). In the time since it has expanded its reach, heading out across the Bavraa Subsection.

The nobles of Bavraa do not see themselves as starting a new Empire, but rather that they are building a seamless continuation of the Second Imperium. Or, as it is often called, The Old Empire.

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THE OLD EMPIRE (BAVRAA)

Bavraa culture demands loyalty to the bloodlines going back to the Old Empire. Social status along genetic lines is a given and noble houses are intertwined in both family and loyalty. (Proper mates from outside the royal families are sometimes brought into the fold to ensure healthy gene pools—often without consent.)

The Bavraa noble houses are certain that they, and all the people of Bavraa, are the true heirs of the Old Empire and rulers of the worlds around them. And currently they are the only source of any interstellar technology in the region.

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THE ARRIVAL OF THE THIRD IMPERIUM

One hundred years ago the first scouts arrived from the Third Imperium. The scouts kept their distance, stunned to find several worlds had survived the Long Night and were rebuilding their interstellar technology independant of the Third Imperium.  Fifty years later the first envoys from the Third Imperium made contact with the leaders of various worlds.

Some contacts went better than others. 

The ruling houses of Bavraa declared as one that all worlds for twenty parsecs around Bavraa were off limits to all Imperial ships and troops. Any ships or troops bearing the Imperial Sunburst within those boundaries would be seen as declarations of war.

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A NOBLE HOUSE OF THE THIRD IMPERIUM ON DAVRAS

The native T’Kenkar of Davras, which had weathered their ice world’s hostile environment with ease and helped protect millions of humans over the centuries of the Long Night, invited the Third Imperium to establish a base on their world. They did this even though Davris falls within the boundaries Barvaa declared off-limits for the Third Imperium.

Most people believe the T’Kenkar did this to slow the advance of the Bavraa noble houses in their efforts to rule the subsection. But others note that the T’Kenkar are alien and mysterious and might have reasons no one can quite understand.

Emperor Gildun of the Third Imperium accepted this offer and awarded House Djaout a charter to establish a starport and trading base on the ice world.

Conflict—both hot and cold—broke out between Bavraa and Davras immediately. Duke Djaout keeps his troops on Davras. And no ships bearing the Imperial Sunburst are allowed to ply the space lanes. Instead, House Djaout keeps a low profile, using subsidized merchants and private contractors to carry out acts of espionage, trade, piracy, and covert war.

House Djaout has kept a low profile within the cluster, sponsoring ships that sail without the Imperial Sun and keeping his troops on Davras. Bavraa cannot–yet–prevent all trade and commerce between nearby worlds and the “Thirders” (as citizens of the Imperium are called). Over the past three decades more travellers and ships have arrived in Old Empire from beyond the Dead Worlds.

They are outsiders, sometimes welcome and sometimes not.  The rules are not always clear as to where Thirders fit into the social fabric in the Old Empire–and so danger arrives without warning on occasion. All of them know it is better to hide any symbols from the Third Imperium, and ships are repainted to remove markings of Third Imperium culture.

Such travellers work as merchants and soldiers of fortune as they make their way through the stars and across the worlds Bavraa hopes to rule one day.

But this does not mean the tension between Bavraa and the Third Imperium does not get hot. A year ago a ship activated its Jump Drive while docked at the B-Class starport House Djaout had built, causing a terrible explosion that shattered the starport and killed hundreds of people. The damage knocked the starport down to a C-class rating and it is now being rebuilt. No one claimed responsibility for the attack (if it was an attack), and while most people assume it was the work of House Itzcoatl of Bavraa, Duke Djaout has declared he has no proof to determine who was responsible and is still seeking leads. The noble houses of Bavraa offered to send aid. The duke refused it.

House Djaout has been tasked with destabilizing and delaying the efforts of Bavraa to unify the worlds around it under its rule. The Third Imperium is playing a long game. A full invasion would leave their home forces depleted and their troops months away. Instead, they want to build slowly, cripple the growth of the Old Empire where they can, and keep expanding at their own pace back home.

The noble houses of Bavraa, led by House Itzcoatl, know the Third Imperium is far away. They do not want to be so overt that they draw the attention and military might of their distant neighbor. If the noble houses of Bavraa can let the conflict remain calm and low key for enough time, they believe they can build a defense that will keep the Third Imperium at bay when they finally arrive in force.

And so piracy is sanctioned by both sides. Cover operations are always underway. Each side tries to curry favor and win the friendship of worlds within the subsection.

Old Empire: The Bavraa Subsector

Here we go. Rolled up subsector in a patch of space which I have called the Bavraa Subsector.

The data:

Taking my own advice I will start small, focusing on the Bavraa Cluster, which gets turned into this:

More On Pointcrawls — and Thoughts on Pointcrawls for Traveller

A few weeks ago I posted a link to a very smart post about pointcrawls from Anne at DIY & Dragons.

As Anne explained in her first post on the matter:

At its most basic, pointcrawling is a way of depicting space that maps a set of known locations as “nodes” that are connected by a limited number of “paths.” Depending on a judge’s time and artistic talent, this diagram could consist of little more than numbered circles connected by straight lines (something similar to the early Scorpion Swamp pointcrawl introduced in the Fighting Fantasy books, seen in Figure 1 below.)

Figure 1. Scorpion Swamp from Fighting Fantasy 8

Alternatively, it could be much more detailed, either an artistic rendering or an information-encoding scheme to visually depict the location at each “node,” and likewise some method of giving more information about each “path.” In Figures 2 and 3 below, Hill Cantons shows a scheme for color-coding and labeling square nodes to show information about each location at a glance, while using different kinds of lines to instantly communicate information about the types of paths. (Really, his whole series of articles on this is an excellent read.)

Fig. 2 – Horizontal Undercity from Hill Cantons

Fig. 3 – Vertical Undercity from Hill Cantons

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The post goes into a lot more detail. But I think the value of pointcrawls might not be immediately obvious because we are trained to expect full terrain maps and full deck plans.

But the fact is, a full deck plan of a starship might not be required for an evening of play for Traveller. Consider this: a pointcrawl could be made of a starship, showing all the chambers on board and the routes might be able to take from one chamber to another. There’s really no need to draw up full deck plans. And if one is focused on a “theater of the mind” presentation of the ship and onboard action to the Player rather than miniatures, a pointcrawl might actually make a lot more sense. One need only glance down at the nodes and connections to see where the Player Character is in relation to other elements of the ship. Notes can be marked up next to the nodes (or within them) or however you want to roll.

The point being that sometimes we get so caught up in “the way things are supposed to be done” we don’t think through, “What exactly is the most useful way to record and impart this information?” or “What do I really need to run the encounter on this starship?”

Here’s the pointcrawl of a 200 ton Type A Free Trader I just whipped up for this post.

Notice that it tells me almost anything I’m going to need to describe what is happening on a ship. Most rooms are not going to be more than 8 meters across, which means that most combats will be at Close or Short range and sometimes stretch to Medium if the combats really make sure they’re firing at each other from one end of a longer room to another. Notice that cargo hold, even from end to end, falls within Medium range. (Notice too, that at certain points, where I thought it might matter, I noted the length or dimension of a room or corridor. One could do that with every room if one wanted to.

Now, listen. We all have access to the deck plans of a 200 ton Free Trader. This illustration isn’t that big a deal, in part because we all have those plans and in part because the lower deck of a Free Trader isn’t really that complicated or big.

But let’s say you needed to whip up a Corsair or any other kind of ship. The question is how much work do you really need to put into whipping up a new ship? Do you really need detailed deck plans to scale? Will your players ever notice if you don’t?

But let’s think about bigger locations:

• space stations
• underground mining operations
• cities of a billion people
• the continent of an alien world
• and so on…

Do you really need a details map of all the locations?

My guess is no, you really don’t. You do need to know major locations. You do need to know how one place connects to another. (Is there a monorail between the two locations? Or do you have to walk? Use different colors for each type of movement and name travel times and your pointcrawl becomes both useful and efficient!) Entire continents can be mapped out this way, with key points of interested written down as nodes and notes about traversing the distances between the nodes right on the sheet. (Here’s a link to a post at Hill Cantons about replacing wilderness hex-maps with wilderness pointcrawls. Really worth checking out!)

Traveller is a tricky game in that the Player Characters can (and should) travel from world to world to world. This is, I think, one of the reasons the game can seem daunting to Referees (or would be Referees). If you’ve been raised on RPGs thinking you need full color maps of cities and continents draw to scale, the thought of having to create, say, 20 planets, along with all the cities, colonies, bases, and ancient ruins might seem overwhelming. And let’s be clear–IT IS OVERWHELMING!!! A given subector might have 20 planets. The idea that you, as the Referee will have all the details of those worlds mapped out and ready to go because the Players decide to have their characters pick up stakes and light out for another planet on a whim would drive anyone mad. This is supposed to be a fun hobby… not a full time job!

And keep in mind: When I write all of this, I am assuming that the original Traveller rules were designed for improvised play… not railroaded plots. The Player Characters should be able to pick up stakes and head off to a new world on a whim, and new troubles should arrive on a whim as well. That’s what the game is about.

Also keep in mind that the abstract range band system from the original Traveller rules. Marc Miller provided a solid, abstract system that could keep things moving along without getting bogged down in measuring every foot minutia. “Mapping” as we know it from early Dungeons & Dragons makes sense if you are underground, in an ill-lit environment, wondering if you’ll remember how to get out, while checking the map for empty gaps that might suggest there is a secret door you passed and missed earlier. You don’t need that level of mapping detail if you’re hangout out on a space station or taking a monorail from one city to another. The notion of pointcrawls fits right into the design philosophy of the original Traveller rules.

So, is it worth it to you to relive yourself of the responsibility of having to map out entire continents and space stations in order to give your players plenty of freedom, cut down on your prep time, and give yourself the confined to know you can handle whipping up whatever environment your players go to?

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Finally, Anne has promised to get to a post about “mini-crawls” very soon. But in the meantime she has a new post up with more examples of pointcrawling.

Comments and Conversations about the Previous Post on Classic Traveller Personal Combat

This post on personal combat in Traveller Book 1 generated some great comments both in the comments section, but on several other sites across the Internet.

Over at the G+ Classic Traveller community a solid conversation took place inspired by the post. Because we covered so many ideas and topics, and the nature of the conversation revealed people sorting out ideas (including myself) I thought I’d share the thread directly, allowing people to see how the ideas flowed.

Also the group is great. And if you are interested in Classic Traveller you should check it out.

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Michael Thompson
Close combat with someone who has a clue with a firearm should be deadly in short order. I was part of the security response force aboard a submarine, and we stressed the importance of finding cover and concealment, and gaining surprise.

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Christopher Kubasik
+Michael Thompson I think something that can throw people off about the original Traveller combat rules is that they want RPG combat to feel like … well, RPG combat. They want lots of rounds, a slow ablative decay of hit points, and durable PCs that have time to take stock of a battle that is going south and change tactics accordingly.

Marc Miller was a captain in the army and, believe, served in Nam. He wrote the rules to reflect how he saw a firefight would go. And so the game has rules that are brutal, quick, and dependent on the Players/PCs being smart long before the bullets start flying.

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Jeff R.
Another excellent post. Something to consider is that, RAW, movement is normally completed before combat throws, so it would be possible (subject to Ref judgment) for the PC under fire to “evade into cover” before the combat throw is adjudicated, or maybe even “close range” from Short to Close. In the end I find CT combat fast, furious and fun, to steal a tag-line from another game.

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Christopher Kubasik
+Jeff R. Yes! I implied that in the post, but didn’t spell it out. I should probably fix that.

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Daniel M
At a past GenCon I ran a session in which a player, armed with a dagger, attacked a Stormtrooper in combat armor. After the dagger attack failed the trooper opened up on the player with his laser rifle and scored a hit. Everyone at the table knew that character was a goner. I picked up 5 dice, shook them, and dropped them in the middle of the table for everyone to see. 1, 1, 1, 1 and a 2. The player barely noticed the injury and the rest of his party toasted the trooper with their own weapons.

Hitting your target is only the first part of the story.

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Jeff R.
+Daniel M Ha! I had something similar happen in my home game, where a foil-wielding Marquis charged an Auto-Pistol armed kidnapper and not only didn’t get hurt, but disarmed the cad…

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Alistair Langsford
+Christopher Kubasik You’ve written a lot of good stuff on CT, but I think this might be the best article so far. CT and its combat always seemed to be a stumbling block with various groups when I was just getting into RPGs. But not the group I started with, of whom I and one other person out of about 8 were the only ones who didn’t have military and/or wargames experience. They had quite a different view from the rest of the roleplayers I gamed with.

I think one of the key reminders you make is that PCs are awesome when it comes to firefights. A fact many forget. But, to steal a quote from one of my favourite action movies, they’re still ‘Touchable’.

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Jeff R.
Another excellent post. Something to consider is that, RAW, movement is normally completed before combat throws, so it would be possible (subject to Ref judgment) for the PC under fire to “evade into cover” before the combat throw is adjudicated, or maybe even “close range” from Short to Close. In the end I find CT combat fast, furious and fun, to steal a tag-line from another game.

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Christopher Kubasik
+Jeff R. Yes! I implied that in the post, but didn’t spell it out. I should probably fix that.

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Daniel M
At a past GenCon I ran a session in which a player, armed with a dagger, attacked a Stormtrooper in combat armor. After the dagger attack failed the trooper opened up on the player with his laser rifle and scored a hit. Everyone at the table knew that character was a goner. I picked up 5 dice, shook them, and dropped them in the middle of the table for everyone to see. 1, 1, 1, 1 and a 2. The player barely noticed the injury and the rest of his party toasted the trooper with their own weapons.

Hitting your target is only the first part of the story.

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Jeff R.
+Daniel M Ha! I had something similar happen in my home game, where a foil-wielding Marquis charged an Auto-Pistol armed kidnapper and not only didn’t get hurt, but disarmed the cad…

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Frank Filz
Great post. There’s a reason in Daniel M’s game when we were intercepting a ship, I had my character who had Vacc Suit-2 and Shotgun-3 EVA and come in through a different airlock (and note that a standard Traveller vacc suit counts as cloth armor). It should also be noted that the shotgun lets you hit multiple targets also… And it’s allowable at a higher law level than any other firearm…

Oh, and that Shotgun-3 skill, two of those skill levels came from mustering out…

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Christopher Kubasik
+Alistair Langsford, this is a really solid point — which I made in the post but I think is worth reiterating here:

“AWESOME only in the sense of having that zero level Often people seem to complain that CT characters are limited and can’t do much and are somewhat fragile in fights. Not quite so. ON the other hand PC choices are sometimes less than awesome.”

The fact is once you add in the DMs for range, armor, and bonus or penalties for high or low characteristics, the skill level often becomes a relatively insignificant part of the calculation to hit that 8+.

Of course, most people in the world of Traveller have no combat training (not firing range training, but combat training) and so suffer the – 5 DM when using a weapon. In this regard, the PCs (with a default expertise of 0 or even skill levels) are definitely better than most folks — and so are awesome by comparison.

That most people pick up the rules, focus only on the skill rankings of a PC, and miss all those DMs for range, armor, and characteristics is caused by many reasons.

I suspect that one of them is that the combat DM matrixes split up the DMs for combat and thus makes it hard to see how the DMs will play out in a clear manner. A person sees those two matrixes, kind of gets hypnotized by all those numbers swimming around on the page that combine into something but it’s hard to see clearly unless you write it all out.

This is one of the reasons I made the weapon cards: I wanted to be able to see clearly what each weapons was going to be able to do in different circumstances. And I wanted my players to be able to see it clearly, too.

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Christopher Kubasik
+Jeff R. This is an important point:

“Another excellent post. Something to consider is that, RAW, movement is normally completed before combat throws, so it would be possible (subject to Ref judgment) for the PC under fire to “evade into cover” before the combat throw is adjudicated, or maybe even “close range” from Short to Close. In the end I find CT combat fast, furious and fun, to steal a tag-line from another game.”

I want to think more about this because, of course, the NPC can move at the same time as well. He can be trying to cut the PC running for cover off, or try to get to a better flanking position if he sees the PC might try to evade into cover.

This matters because of something I have never thought about before, but I’m going to give it some thought: Since all movement is simultaneous and all firing is simultaneous, when does the Referee decide what the PCs will do? How does he decide it?

Does he write it down on paper before the PCs/Players declare movements? Does he let the PCs/Players declare first and then roll a die with two or three possibilities and randomly determine which action he takes, with different odds, perhaps for different actions?

Again, I’ve never thought this through, but I do think it is worth thinking about, as it will determine how the Player feel the combat system works, if they’re enjoying it, and can help layer tension and excitement depending on how choices and actions are revealed.

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Frank Filz
Back in the day, when playing RPG systems with simultaneous action in combat, I always had the players make their declarations. I would have some idea what the NPCs/monsters would do before they made their statements. Reasonable reaction to other statements was acceptable (like changing where you moved if an NPC or other player made a movement that might impact what you were doing). While I did not have exposure at that time to Free Kriegspiel, I think the way I handled simultaneous action fits well with that philosophy. I rarely had complaints from players so it must have felt natural to players (even ones with no previous wargaming experience).

In fact, watching some play of Metagaming’s Melee turned me off of initiative systems (a fast enough character could move behind an opponent and strike from behind, without the opponent having any ability to turn as the guy was circling around him).

This issue also made me wary of explicit facing (and in college, the Cold Iron game a friend developed that we played a lot had a further issue with facing and such. We usually used a hex grid for combat, but only 4 people could attack one opponent, so how do you resolve things when 6 opponents can fit around you on the board… In the end, I had written up a house rules document that laid out combat in more detail as our play developed more in the “board game” direction in the same vein as D&D 3.x.

And with all of that in mind, for my Classic Traveller play, I will allow myself to be informed by Snapshot but I won’t directly use it, keeping combat more free form (but not entirely theater of the mind – I’m ok with using a map and a grid, but we won’t always count squares or hexes).

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Daniel M
+Christopher Kubasik I have to disagree with your statement “the skill level often becomes a relatively insignificant part of the calculation”. With the bell curve of two six sided dice being so short a single +1 DM from skill level can make all the difference. See my previous posting “The Power of ‘1’”.

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Jeff R.
+Christopher Kubasik I don’t use a methodical decision tree, I just have an idea what the NPCs will do, go around the table asking for actions (e.g., “I dive for cover, shooting the nearest kidnapper”, “I spray my gauss rifle across the largest cluster of thugs”, etc.). The players don’t always use the “evade, close range, open range, stand” options when stating movement, though usually it’s obvious, or I ask for clarification. When it comes to combat throws I’ll sometimes decide, sometimes roll to see if shots went off before someone reached cover, depending on circumstances. I’ve resisted trying to add anything more formal, and so far it has worked just fine.

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Christopher Kubasik
Hi +Daniel M, I don’t think we are disagreeing. Please note that I’ve been banging the drum to get people to understand that a skill-1 is actually a big deal in Classic Traveller 2D6 bell curve for some time now.

What I think we need to focus on in the statement you quoted is the word “relatively.” For example, someone shooting at a unarmored target at short range with an SMG is going to get a DM +5 for firing at target not wearing armor and a DM +3 for firing at a target at Short range.

For armor and range DMs alone the shooter has racked up a DM +8. Obviously on a 2D6 bell curve this is an enormous advantage. So much so that on a Throw for an 8+ to hit the PC cannot miss.

I’m not saying the SMG-1 rating the shooter poseses doesn’t matter. I’m saying that in the situation described above it matters relatively less than other DMs. In this case a PC is going to have the same odds of an effective hit whether they have SMG-1 or SMG-0.

Which was the only point I was making. Skills matter, but they are not all that matters. But people, for whatever reason, really focus on the skills and their levels when reading the Classic Traveller rules.

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Christopher Kubasik
+Jeff R. Do the players find out what the NPCs are doing before or after they declare actions? (Or is it a mix of some kind?) That’s what I’m curious about.

Because if you close range to get to melee and I open range with a firearm while you charge me you might get caught out in the open at short range and I get a shot off on you. That’s going to matter!

And I agree with pretty much everything you and +Frank Filz have written about keeping it simple.

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Frank Filz
So if you declare backing off to open range, and my guy is trying to close with you, then we look at relative movement rates (they may be the same) and you probably get a nice shot off. It’s also hard to judge these things in abstract scenario, once in play, we have more information to make an adjudication with.

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Todd Zircher
True, true, and backing up probably means that your opponent has been flushed from cover and is open to all kinds of other hurt. 🙂

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Christopher Kubasik
Yes. The part about relative movement rates I understand.

I am trying to figure out the best order to decide/reveal the NPC’s choice to open range.

If i’m the Referee it might not occur to me to have the NPC back up until the Player announces his character is going to charge. But if actions are simultaneous should I be making decisions based on foreknowledge of the PCs’ movements?

If I’m the Player I might decide I don’t want to charge if the NPC is going to back up and leave me exposed to a shotgun blast at short range.

It seems to me that a) when actions are announced and b) when characters are committed to actions matter. And I’m thinking that through.

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Jeff R.
I see the issue: I run a loose game where the PCs are of heroic stamp, and they always get the benefit of the doubt. But I do decide what the NPCs are doing before asking the players, and if the NPC actions might change what the player wants to do I generally give them a chance (Saving Throw) to change, as long as the change isn’t too drastic. The NPCs never get that chance, since the story isn’t about them.

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Frank Filz
+Christopher Kubasik Yea, totally. Players can make their statements of intent conditional which helps. If the player was trying to decide whether to break cover to close and the NPC was going to open range, I think either the NPC’s intent would be clear to the PC before breaking cover, or it would be more the case of the NPC backing up in reaction to the PC breaking cover.

If it really became an issue, I’d possibly call for some kind of random throw to determine who gets to react to whom (note that many initiative systems actually leave the more reactive character committing first which can seem backwards – another reason to use common sense rather than a strict procedure).

Again, I think in the moment of play, there would be more information than our cooked up scenario to help decide what happens. That doesn’t mean talking and theorizing isn’t helpful in opening our eyes to different ways to interpret the situations we face in play.

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Christopher Kubasik
+Frank Filz That all seems reasonable to me. I’m a big believer in “Let the fiction sort it out.” And my first post on this issue above suggests exactly what you suggest — if I’m not sure which way an NPC will go, I’d come up with a random die roll to determine a course of action.

Whether this is “theorizing” I have no idea. (Well, that’s not true. I certainly wouldn’t consider it “theorizing.”) The rules offer no instruction on how to handle this stuff. And my thesis for the Out of the Box posts has been that many of us have been “trained” to play a certain way — and that Classic Traveller works from assumptions counter to most other RPGs. By naming specific issues at hand in apply the Classic Traveller rules the would-be Referee can visual and imagine ahead of time how the application of rules might work out.

(As a side note: I think that in many ways Vincent Baker’s Apocalypse World is closest in spirit and application to games like Original D&D and original Traveller. One will note there is no initiative in AW as well, and the fiction finds a way…)

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Alistair Langsford
+Frank Filz When I think about the rules, I think I have many of the same issues as +Christopher Kubasik mentioned when it comes to “simultaneous”. Mainly because of my experience from other games where you have to write your moves so the declarations as well as resolutions are simultaneous. When I’m gaming it I realise it often has come down to more of what you and +Jeff R. describe: order often becomes obvious. And we’ve forgotten to “roll for initiative” because tho’ we initially started with Mongoose Traveller we seem to have ended up running pretty much CT. I think I’ve been overthinking it. And, this isn’t a war game. I think you’ve all helped me get a better idea on how to run CT combat. Thanks.

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Victor Raymond
Generally speaking, that’s why initiative has mattered in other game systems. Not that it allows someone to go first, it’s a matter of “are you acting, or reacting?” In a wargame, if you win the initiative, you have two choices:
1. Move and act first, attempting to gain an advantage before your opponent can stop you, or
2. Wait to see what your opponent does, and then act.

In either case, rules about movement and engagement model the consequences of your actions, and depending on your resources, your decision could affect the rest of the battle. A lot of this may seem abstract, but even on the 1:1 scale of CT, that’s what those bonuses for Tactics, Leader, and prior military experience model in the surprise roll.

A Marc Miller Interview at Gary Con X

James from the James the Geek blog had the good fortune to play Traveller with Marc Miller at Gary Con X last weekend.  After the game he sat and chat with the group of players, and with James individually for a bit as well. As a fan of Traveller James had a lot of questions about the game and put them to the man himself. He has posted the results of his impromptu interview.

The conversation covered a lot of ground, but here are some answers from Miller I wanted to highlight:

1. When Mr. Miller designed Traveller, he intended it to be a generic sci-fi roleplaying game system, in which we could play any science fiction game we wanted.  The Third Imperium setting came later.

2. The rules, or systems, he included are there as an aid for when your imagination fails. He shared the example of world creation. “Think of a world. Now think of another one. And another. After a while you run out of imagination or things get a little boring.” That’s where the world generation system steps in and helps you by creating worlds that you now have to creatively explain. Why would millions of people choose to live on a desert world with a tainted atmosphere, for example? The more I learned about his play style, and his original ideas for the game, the more it became apparent that the systems, while there to aid us, could be completely ignored (and should be) in order to simply play the game

3. While playing Traveller, Marc role-plays.  Very little rules. Traveller is truly a rules-light game system once you start playing.  For our scenario, we generated characters by only rolling up stats. No skills. Just stats and pick your service.  All rolls were made against those stats, but you couldn’t roll against the same stat again, until you had used them all.  Oh, and you had to support your decision on which stat to use. After that, it was all role playing. Creating a communal story. He made it up as he went along, allowed us to build the story, and acted as “referee” just as intended. After we were through, he said “There. Now you know how I play Traveller.”

4. Originally, there was no intention to publish anything except rules.  He wanted players to use their imaginations and play in whatever world they wanted.

   The Imperium became the setting after a reviewer made a comment that he wouldn’t play a game that did not include a pre-defined setting. Marc implied that he didn’t want to play in one in which there was one. He said he had even written an article about it.

   I thought I recalled seeing it, but could only find a comment made in “Challenge/JTAS” Issue 29. Marc writes, “In our own naive way, we thought that the basic rule set was enough. It was a review in a fanzine run by Tony Watson that changed my mind. The reviewer, talking about Traveller, complained that there was not enough background and detail for the Traveller rules: each player had to make up his own. And Tony (as the editor) inserted a comment that he would never play a system that imposed a background on him. … it was my responsibility, as a game designer, and our responsibility, as a game publisher, to provide support for the role-playing system.”

   I believe that the ‘fanzine’ may have been “Space Gamer”.

5. Money. It’s come up here a couple of times, so I asked Miller how he envisioned money would work in Traveller. He said he never thought people would really be transporting money, like credit or even cash. Instead, he gave the example that on one world you would buy a cargo load of pigs.  You would go to the next world and sell the pigs for a cargo load of turkeys and, hopefully, enough local currency to get supplies, fuel and repairs, and then move on, repeating the process. Personally, I think “Firefly” does a great job of demonstrating this in action. Of course, that still doesn’t answer how a ship gets paid off, and I didn’t ask.

6. Traveller was most influenced by the “Dumarest Saga” books…

7. His favorite version of the game is still Classic Traveller. Yeah us!

8. He loves the character creation system because the dice rolls give you interesting characters to play. He pointed out how, during the weekend, he had several PCs that were really just dumb, and it was fun to see how the players handled playing those characters. He mentioned that this is what made the game interesting, and gave exciting results.

   During the game our rolls mostly consisted of “roll under the attribute”.

9. While he doesn’t play Traveller using lots of rules, he does like to play with systems. Just like many of us here who play with building starships, or worlds, or the merchant system. T5 is this way. He said “I always wanted a system that would make interesting aliens with 5 arms and stuff and I couldn’t figure out how to do it. Finally I did.” I haven’t read T5, but given how much fun I have personally had playing the games within the Traveller game, I may have to pick it up some time, just because.

Now, there is little in the above that will surprise to the readers of the blog. I’ve been flogging these matters since the fall of 2015.

The weird thing is how many people did not believe me when I pointed out that there was no Third Imperium in the original rules sets, how the game was designed for everyone to create their own settings, how the game is designed to mostly be a conversation between the Referee and the Players and the Referee falling back on the rules when required.

On this blog I’ve talked about the improvisatory nature of running Traveller assumed in the original rules. The need for Referee to be adjudicating on the fly. The fact that a Player Character is not defined by his skills and he can do many things without skills. I’ve talked about the original inspirations for Traveller and how the notion that you must do it as “Hard Science Fiction” or you are doing it wrong is nonsensical. (Read the Dumarest books and tell me how much they teach you about science.)

Now, Miller has been making many of the statements above for decades–pointing out since 1981 that he assumed the rules found in the original boxed set would be the last Traveller material he would ever (or ever need to) publish. But despite actual interviews with the actual man who was actually there, the pushback against these bland facts was often crazy-fierce. In particular, the notion that Traveller is the Third Imperium and that if I wanted to address the rules and how to play the game I was somehow missing out on what Traveller actually is.

Which leads to the most interesting point about Millers comments above.

Miller states that Classic Traveller is his preferred version of Traveller. And the fact this is the edition he chooses to play at conventions gives lie to the notion that each iteration of Traveller is somehow an improvement or “advancement.” I bring this up because I have had had interactions with several people who consider Classic Traveller to be some sort of “introduction to Traveller” and really not worth much time when Traveller5 is around the corner.

I have stated from the start of Traveller: Out of the Box series that I believe Classic Traveller works–and works great–as is and without needing to be “fixed” or “improved.” Later editions add more and more complex rules or endless efforts to simulate reality–and if that is what someone wants more power to them. But as an RPG game used in the playstyle of the 1970s I don’t think the game can be beat.

Which brings to Miller’s point that while he likes the challenge of game design, he doesn’t use the complex game designs he creates. He doesn’t use rules that have rules for everything. He instead uses the simple, straightforward, Referee-driven rules of Classic Traveller.

I have a theory: Back in the 1970s GDW created a wonderful, light RPG rules set for playing Science-Fiction adventures in the far future. It provided a straightforward framework a Referee and Players could to play out countless kinds of settings and situations. For some settings and situations the Referee would have add rules, subtract rules, or simply ignore some rules–but that was part and parcel of the spirit and the letter of play in the mid-70s. After all, one could play a terrific and long campaign of Traveller on a single planet. If you never got around to using the cargo and passenger rules, that would be fine. The key is this: it was a framework for you to go do things with. The reason Miller didn’t think there would be need or demand for more Traveller products is because he assumed everyone would take the framework and go do what they wanted with it.

But something unexpected happened. Rather than taking the framework and doing what they wanted with it, people who bought the little boxed set of Traveller rules wanted answers. GDW assumed you would provide the answers you wanted for your game, but in short time it became clear the people who bought the game wanted GDW to provide answers for them. And this was completely contrary to how GDW thought you would use the game–and should use the game.

This tension of expectations between the designers of the game and the consumers was best illustrated in issue #2 of The Journal of the Travellers Aid Society. James Maliszewski sums up the matter here:

In issue #2 of JTAS, editor Loren Wiseman has a column where he takes exception to a review of Traveller Book 4, Mercenary, which appeared in issue #26 (June 1979) of Dragon. Among the complaints made in the review (by Mark S. Day) is “Laser pistols were missing from hardware.” Now, as any old Traveller hand can tell you, laser pistols weren’t originally included in the game. I’m not certain I can recall when they finally did appear (MegaTraveller in 1986?), but their absence was a common knock against the game, especially by fans of other SF RPGs.What’s interesting is the way that Wiseman dismisses the reviewer’s criticism:

Take, for example, the laser pistol. Although it does not specifically mention them, Traveller provides all the information needed to enable a referee to create them, with a little mental effort. Since, as referee, we are running the world, we declare that a laser pistol should be to a laser carbine as a conventional pistol is to a conventional carbine.

He then goes on at some length showing how he’d extrapolate the game stats of a laser pistol, concluding his efforts with the following:

The above example indicates how the Traveller rules can be used to create something not present in the rules. We don’t have room to describe everything. With a little imagination, a little research, and a lot of thought, almost anything can be made compatible with Traveller.

On some level, Wiseman’s reply to the review comes across as a little tetchy. On another, though, I find it reminiscent of the afterward [sic] of OD&D, where Gygax and Arneson ask the question “why have us do any more of your imagining for you?” That’s a sentiment that makes more and more sense to me as the years wear on, so it delighted me to see it expressed in the pages of JTAS so long ago.

It is my guess that the questions never stopped coming. Starting with laser pistols, the questions moved on to how “What, exactly, is Jump Space?” (when, in fact, it can be any of number of different things in any number of different settings), to “Please explain how an interstellar empire of 11,000 worlds would work.”

The questions never stopped coming. A great and vocal chorus demanded a half-dozen guys running a game company to nail down every possible application of the rules for Traveller as well as how an interstellar empire would work. All this despite the fact the game was designed for the Referee and Players to come up with their own setting and details for their own table.

It is my belief then, that Miller has spent the last four decades, on and off, trying to come up with a rules set the will satisfy this choir of questions. A game so broad in its application (in other words: everything) that it could provide and answer to everything with the text of the rule book, whether it be about having a roll defined of every situation or a method of answering any question about the settings.

And so we have Traveller5. Now, there are people who want games like Traveller5–and so I’m glad Miller is making this game for them. There is a need and desire for this product, and Miller is doing his damndest to deliver.

But here is the important thing: Marc Miller doesn’t play Traveller5. He plays Classic Traveller. Traveller5 is for all the people who want a game that will provide all the answers for them, an audience that Miller wants to please, but he himself is not that audience. He built the game he wanted to play 40 years ago. He’s still enjoying it.

Traveller Out of the Box: Weapon Cards, 1977 Edition

Some of you may know I made a set of weapon cards for the 1981 Classic Traveller. Each card lists a specific weapon, the +/-DMs for Strength or Dexterity, and a matrix that combines the DMs for range and armor from Book 1 into a single Throw number.

Here is an example of how the matrix works:

1. The DM for SMG against No Armor is +5.
2. The DM for SMG against the five ranges (as you note) are -4 +3 +3 -3 -9
3. When we combine these two DMs (which is what the Weapon Card matrix does) for No Armor at the five ranges, we get +1 +8 +8 +2 -4
4. We then applied these five DMs (which combine the DMs for range and armor) to the required hit roll of 8+
5. The final numbers printed on the card represent what the Player needs to roll or better on 2D6. So: No armor, close range is DM +1, meaning the PC needs to roll a 7+.

In this way, the Player only has to look down at the card and read the Throw number required.

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I now have a set of the cards for the 1977 edition of Traveller. The big difference is the damage values. In the 1981 edition of the game all damage values are whole dice (xD6). In the 1977 edition of the game some of the damage rolls are modified by a +/-DM (xD6 +/-y).

Here’s an example of the card in action:

The character needs to Throw the number in the matrix or higher to hit (excluding other DMs of course.)

In the notation above the character has a Blade-5 expertise and a DM +1 because of his Strength of 9+, and so he has a DM +6 when using blade. A character with melee weapon expertise can apply that expertise as a -DM to incoming melee attacks, thus the parry value of 5, for a DM -5 if someone attacks him with a melee weapon while he is defending with his Blade.

You can print the cards out, cut them pages into quarters, and hand a card to any Player with a PC carrying a given weapon. (I printed them on a heavier card stock, using pre-perforated sheets used for name tags. Each weapon card sheet divides neatly into equal quarters.)

As always, if you spot any errors let me know!

CLASSIC TRAVELLER: What “The Traveller Adventure” had to Say About Situation Throws–Randomized Situation Numbers

In this post I quoted in full a passage from The Traveller Adventure, which describes how to handle Situation Throws in Classic Traveller.

I’m following up with a few more posts addressing specific portions of that passage. None of this is any sort of declaration about how people are “supposed” to play the game. This is my approach, based my thinking after digging into the original Traveller rules.

In this post I’m addressing this portion:

Situation Throws: In the absence of any other guidance, the referee may always resort to the situation throw. When an incident first occurs, throw two dice to determine its relative severity. A low roll means that it is easy, a high roll means comparative difficulty. The number achieved is now the situation number. The player characters involved, when they attempt to deal with the situation, must roll the situation number or higher on two dice.

Now, this is fascinating to me for several reasons. The text suggests that if you don’t know what the difficulty should be for a Throw, you should generate the Throw randomly.

I think this is brilliant.

First, it relieves the Referee of the burden of determining how hard something is.

After all, if a fictional airlock gets stuck on a fictional ship during the circumstances of a fictional starship battle, how hard would it be to force that airlock open? Do you know? I know I don’t know. We don’t have enough information–and we never will–to truly know exactly what forces, what damage, what materials, and so and so on should factor into the difficulty of forcing the door open.

Many RPGs use a mechanic where the Referee must determine the difficulty of a task. Examples include Burning Wheel, MegaTraveller, HeroQuest and so many games it wouldn’t be worth trying to name any more. And yet, despite it being a common feature in RPG design, when I’m asked to apply it such rule rubs me the wrong way. Especially in a game like Traveller which assumes a certain level of technical level-headedness and a sense that physics and science as we know them will apply. But, again, even if everyone at the game table was a MIT doctoral candidate, there’s no way to know how difficult certain things are going to be since the reality of the situation cannot be tested and measured.

So, for this one reason I love this idea of randomly rolling to determine the Throw required for success.

And this folds into the second reason why I think this is so smart:

As I’ve written here, here, and here I think the role of the Referee in Classic Traveller is that of an impartial adjudicator of actions and choices of the Player Characters, and the cause-and-effect results on the fictional world around the Player Character and the reaction of that world back at the Player Characters. In such a style of play I am not trying to lead the characters toward any sort of result, I am not trying to stymie their efforts with any agenda on my part, I have not plot I am trying to steer them toward.

But here’s the thing: As a Referee I might set the difficulty high for a roll if I want the Player Characters to fail. Or might set the difficulty low if that leads the path I want the Player Characters to follow. In either case I am not being an impartial adjudicator, but using the rules to nudge the players to certain results, choices, or actions.  But since I want to Referee Traveller as an impartial adjudicator, I don’t need a tool like that.

In fact, what I really need is an impartial method of determining difficulty when I have no other information or rules to fall back on. And this method–rolling 2D6 to randomly determine the difficulty of a Throw offers me exactly this.

This doesn’t mean the Referee has no say in the relative value of a Throw’s difficulty. For example, if the situation seems like it should be difficult or challenging the Referee can choose to roll D6+6 rather than the default bell curve of 2D6.

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The passage above in The Traveller Adventure continues on with more interesting ideas.

First, this sentence:

It is even possible for a referee to make the situation number greater than 12, thus making success impossible unless the players can provide necessary skills or tools with DMs to get their throw also above 12.

So the Referee could choose to roll D6+8 for a Throw’s difficulty (providing a range of 9-14 for the Throw) or any other weighted roll he wishes.

In other case the Referee is not deciding how difficult the situation at hand will be. Even if he weights the roll (which he should do if he has a sense of whether the situation is relatively easy or hard) the actual result is still random and impartial.

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Second, this text is found in every edition of the Basic Traveller rules:

Rolls by the referee may be kept secret, or partially concealed depending on their effects. In situations where the players would not actually know the results of the roll, or would not know the exact roll made, the referee would make the roll in secret.

That passage is expanded upon on page 29 of The Traveller Adventure:

SECRECY
Die rolls may be performed either secretly, by the referee, or openly, by the players. Sometimes, the adventure of the scenario is reflected in the die rolling and the characters really need to be able to throw the dice themselves. Other times, the referee and the scenario are better served if the players are not aware of the exact rolls to be made. Sometimes the purpose or even the existence of die rolls should be concealed.

An important principle to remember is that die roils should not be allowed to get in the way of the game. If the players are thinking about their die rolls rather than about what is “really happening” in the game, the referee should consider increasing the number of secret die rolls.

Open Die Rolls: The referee should generally allow the players to perform their own combat die rolls and rolls for other simple actions in which success or failure is immediately visible.

Secret Die Rolls: The referee should keep secret all die rolls whose outcomes are not immediately visible and those whose chances of success, if known, would reveal things the characters should not know. For example, the referee should perform all rolls if the characters are gambling at a casino, in order to allow the possibility of the house having rigged the tables.

I think this is a useful tool for the Referee to keep in mind when using the rules mentioned above. Thus, if the Player Character with Engineering wants to force the airlock and the Referee decides to randomly determine the difficulty, he might have the Player roll one D6 and he himself roll the second D6 in secret. In this way the Player Character might end upon with a sense of difficult the situation is. In other cases the Referee might want to keep the Throw value a secret. And in other situations again the Referee might want to present the difficulty of the Throw.

I personally prefer to let the Players know the odds of a situation. This helps the process of making a decision more interesting in my view. More information means their decisions are more meaningful, whereas decisions without information are merely guesses. But I think there is something value in this approach of keeping rolls or portions of rolls secret and it is something I want to think about.

That said there are plenty of times where the Players don’t need to know at all about what is being rolled and keeping those rolls a secret will definitely help the Players stay in the fictional space of the game.

MAYDAY and Mysteries of Book 2 Combat Solved

Last night I began reading the rules for Mayday, GDW’s space combat game using the ships and themes from Traveller Book 2 as a hex-based board game. It looks fun! (The game is available in PDF form from DriveThruRPG for $9.99 and is included in the Classic Traveller CD-Rom/Thumbnail from Far Future Enterprises.)

A few things became clear reading the rules.

First, there is a reason Traveller’s starship movement is vector based and has templates for gravity wells around worlds. Marc Miller really likes vector based movement and gravity wells!

If you look at his game Triplanetary, you’ll see an entire game built around using vector based movement for racing and battling in space. The game came out 4 years before the original Traveller rules. Then, in the following years, Miller writes Traveller and uses the focus found in Triplanetary to create the movement and combat found in Book 2. Then, a year later, he takes the ships and details from Book 2 and basically uses the core concepts of Triplanetary to create a new board game as part of the Traveller line. Once you look at all three games at the same time you simply see the pattern!

(By the way, Steve Jackson Games is currently Kickstarting a new edition of Triplanetary. There are seven days left.)

But to more much practical details became clear when reading the Mayday rules.

For years I have been baffled by two elements of ship-to-ship combat in Traveller. First, how do missiles move? Second, how do the clouds of sand from the sandcasters move? The rules do not say (not in the 1977 edition, not in the 1981 edition, not in The Traveller Book, not in Starter Traveller). And these two components are really important to space combat!

But if you open up the rules to Mayday all becomes clear. In part because Mayday is a stripped down, simplified version of Traveller space combat. It is designed as a board game, not a miniature war game. And I believe Miller made sure that the language and explanations of the rulebook would be easy to understand for the more casual gamer.

I’m going to note these details here in case they are of help to you. (Many people have figured this stuff out by now. But I know these two points have remained a mystery and much discussed matter for decades.)

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MISSILES
Missile movement is defined by its propulsion system. The propulsion system is defined by two numbers, commonly separated by a capital G. The first number is the maximum number of Gs which the missile is capable of in a turn; the second is the number of G-burns of fuel the missile can make at maximum G.

For example, a 1G1 propulsion system can accelerate a maximum of 1G per turn, and is capable of burning fuel to achieve 1G once. A 6G6 system can accelerate to a maximum of 6G per turn, and has enough fuel to reach 6G six times. A 3G3 system can accelerate to a maximum of 3G in one turn, and has fuel to allow reaching 3G for three turns.

Special Supplement 3: Missiles explains all this. But I have to say, reading it in Mayday finally made it click.

Of particular note: Both Mayday and Special Supplement 3: Missiles create templates for different kinds of missiles, with different sorts of propulsion, guidance, detonation systems and more.

As a general rule Special Supplement 3: Missiles states, “the standard missile in Traveller is a 5G6 continuous burn.” This mean that missiles in Traveller have a 5G thrust available per turn, that they can accelerate up to 5G six times before running out of fuel, and that they will keep moving toward their target as efficiently as possible until fuel runs out.

There are other factors one can apply from the rules based on various types of missiles and build. But that previous paragraph is enough to allow you to use the missiles in Book 2 as written.

(Note: Special Supplement 3: Missiles is part of FFE’s Classic Traveller CD-Rom collection.)

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SAND
This one is easy, and what I always thought. (But, again, Book 2 does not state). From the Mayday rules:

Ships equipped with sandcasters may launch clouds of obscuring crystals (sand) which interfere with laser fire and small weapons such as missiles.

Sand may be launched in the ordnance launch phase, provided that the missiles are not launched from the ship in that phase. The launch program must be running in the computer for the sand to be hunched.

Mark the present position counter of the launching ship with a blank white counter. For as long as the ship does not change course, the counter remains in place, indicating that a cloud of sand surrounds the ship.

So, as long as the ship does not change vector the sand provides cover. If the ship changes vector, the ship ends up in one place and the sand keeps going the way it was.

Easy-peasy! But again, never defined in the Book 2 rules.

CLASSIC TRAVELLER: What “The Traveller Adventure” Says About the Need to Make Situation Throws

In this post I quoted in full a passage from The Traveller Adventure, which describes how to handle Situation Throws in Classic Traveller.

I’m following up with a few more posts addressing specific portions of that passage. None of this is any sort of declaration about how people are “supposed” to play the game. This is my approach, based my thinking after digging into the original Traveller rules.

In this post I’m addressing this portion:

Situation Throws: In the absence of any other guidance, the referee may always resort to the situation throw. When an incident first occurs, throw two dice to determine its relative severity. A low roll means that it is easy, a high roll means comparative difficulty. The number achieved is now the situation number. The player characters involved, when they attempt to deal with the situation, must roll the situation number or higher on two dice. They are, of course, allowed DMs based on any appropriate skills. Tools, assistance, and equipment may also provide beneficial DMs; weather, haste, adverse environment, or other handicaps may impose negative DMs. It is even possible for a referee to make the situation number greater than 12, thus making success impossible unless the players can provide necessary skills or tools with DMs to get their throw also above 12.

And, in particular, I’m referring to this quote:

“In the absence of any other guidance, the referee may always resort to the situation throw.”

The text assumes that there will be plenty of times when a Throw is not required. This is something I addressed in this post, in which I posit that the RPG play of the early years of the hobby (essentially the 1970s) expected a strong Referee to make adjurations without the need for constant die rolling or reference to rules. Throws were required when the Referee isn’t sure how a situation should play out.

If the Referee believes he has enough information to adjudicate the situation based on the fictional elements at hand he simply makes the call and there is no need for a roll. For example, if a Player Character is sneaking up on an encampment to steal some documents. His companions are firing at the camp from a position from a nearby ridge. The NPCs in the camp are distracted by the gunfire and are returning fire.

The question is: The players have cleverly provided a distraction for the Player Character sneaking into the camp; the NPCs are fully engaged in the firefight and assume the opposition is at a distance and not about to sneak into their camp. Does the Player Character sneaking into the camp need to make a Situation Throw to get into the camp undiscovered? After all, the Referee could decide that the distraction draws enough attention that no will notice the Player Character if he is moving in a particularly stealthy manner.

Depending on all the fictional details at hand the Referee can simply state, “The gunfire from up the ridge draws the attention of your adversaries, and as you move in from the edge of the camp you can see them rushing for cover against the incoming gun fire. For the next few seconds you have a clear shot to make it to some crates at the edge of the camp.”

The Referee could also have the Player make situation throw at very good odds. For example, “Given the gunfire from up the ridge that is distracting everyone, you’ve got a good shot to make it into the camp without being noticed if you move really fast. Make a roll of 4 or better and you’re safe.” In this example, the distraction is definitely working. Bu the roll acknowledges someone might look back or around the camp to see if other enemies are nearby.

Another example:

Traveller Book 2 states in the section on Drive Failure: ”

Throw 10+ per day of repair attempt with DM +Engineering skill of the attending engineers to fix them temporarily. More complete repairs must be made at a starport by qualified personnel.

So, someone with Engineering can jury-rig repairs on damage starship components until the ship can reach port. But a “more complete repair” requires personal and equipment at a starport.

But which starports will have such facilities?

Traveller Book 3 states:

Starport Type A Excellent quality installation. Refined fuel available. Annual maintenance overhaul available. Shipyard capable of constructing starships and non-starships present. Naval base and/or scout base may be present.

Starport Type B Good quality installation. Refined fuel available. Annual maintenance overhaul available. Shipyard capable of constructing non-starships present. Naval base and/or scout base may be present.

Starport Type C Routine quality installation. Only unrefined fuel available. Reasonable repair facilities present. Scout base may be present.

Starport Type D Poor quality installation. Only unrefined fuel available. No repair or shipyard facilities present. Scout base may be present.

Starport Type E Frontier installation. Essentially a marked spot of bedrock with no fuel, facilities, or bases present.

Starport Type X No starport. No provision is made for any ship landings.

Given these descriptions, the Referee can assume quickly that given standard situations, Type A and B starports will be able to handle repairs to damaged drives on a starship, and Types D, E, and X will not. Given standard situations, the Referee doesn’t have to make a roll of any sort to see if repairs on the starship can be made. Clearly, at Types A or B the repairs can be made, and a Types D, E, and X there is no chance the repairs can be made.

But what of Type C? The description states: “Reasonable repair facilities present,” which clearly defines it as different in quality than Types A and B, but still being able to do repairs. Does such a facility have what the PCs’ ship needs for repairs? Or is there a chance the starport might be lacking the specific equipment or personal to repair the ship drives?

In this situation, as noted above in the quote from The Traveller Adventure, the Referee first determines if there is any guidance that would resolve the issue without a roll. Has the Referee determined anything in his notes about the starport and the world? Is it a wealthy world? Is there a lot of trade traffic through the system? Both of these possible situations imply the facility might be on the better end of a Type C. Given these possible situations (and there are many more that might apply) the Referee checking his notes might thing, “Sure. No need to roll. They have what the PCs need.”

Further, if the PCs have already traveled to a particular Type C starport and the Referee had already established it is a very well-stocked starport with a capable repair staff, then the PCs would have every reason to expect that they would easily get the repairs.

But let us say that the Referee doesn’t have such situations noted about the planet or starport that might lead him to think no roll is required. He might simply have the notation: “Type C starport” and no more. Will such a facility be ready to handle repairs on damaged drives? At this point the Referee might decide, lacking “any other guidance,” that a Throw is required. The first roll might simply be to determine the odds of such equipment being available. He might say, “On a Throw of 8 or better the facility can handle the repairs.” Or he might decide, “Yes, the facility can handle the repairs, but the resources are tight. The PCs will have to make Situation Throws to get ahead on a waiting list or get equipment needed for repairs diverted to their ship.” Such rolls might involve DMs from skills such as Admin, Bribery, and so on.

The situation can get complicated even for a Type A starport. Let us say that the Referee has established that a world with a Type A starport is at war with another world and acts of sabotage have been committed against the starport. The facility is damaged, perhaps even downgraded to a Type B starport for the time being. In such circumstances, what repairs the starport can make might shift week to week. In this cases, once again, the Referee can either make an adjudication on the fly. Or he can make a roll on his own to determine if such equipment is readily available. Or he can put the PCs in the position of struggling with actions and situation throws to find their way forward.

Examples of cases where the Referee might or might not decide a roll is not required, or be uncertain if a roll is required, are endless.

The point is that a roll is not required for every action or every situation. The game actually can move along quite well without lots of rolls, with the fictional details created by the Referee and the Players providing enough context for the Referee to adjudicate on the fly. Where the Situation Throws come into play is when the Referee doesn’t have enough guidance to make a call off the top of his head. (“Would someone look back as this firefight starts and notice the Player Character sneaking into the camp?”). If he’s not sure what the call would be, the Referee asks for the Player to make a Situation Throw.

TRAVELLER: Out of the Box is Driven by ADVENTURE, not Hard Science

In a discussion about Classic Traveller at G+, someone wrote:

I’ve always wanted to run original traveler but I’ve been reticent because of the verisimilitude of the system – and the fact I know precious little of the sciences. (To run the game well, I believe you’d have to be well versed in the sciences…)

I know this is a common fear for some people. I also know that many people believe the notion that “To run the game well… you have to be well versed in the science.”

I really, strongly, disagree with this sentiment, though I can see why some people might think it. So here’s post about it.

Traveller, at least as originally written, was never about Hard Science Fiction as we know it today. It was about ADVENTURE. It was inspired by the works like the Dumarest series by E.C. Tubb, the Demon Princes series by Jack Vance, the Nicholas van Rijn tales by Poul Anderson, among other SF tales from the 40s to the 70s.

That Traveller could become a playground for gearheads has nothing to with what it has to be.

If you go read the Dumarest books or the Demon Prince books you see tales of adventure in an SF setting… but the focus is not calculating heat exhaust issues, but on skullduggery, theft, assassination, political corruption, fighting abusive power, protecting the weak, revenge, ambition, and more.

The point of the “science fiction” element is to put these tales in the context of exotic setting with strange creatures, alien races, and peculiar technology to heighten the novelty of the adventure and provide mysterious situations the protagonists have to deal with. The stories seldom rely on “real science”–but are self-consistent within themselves, allowing the protagonists to puzzle out anomalies and solve problems that make sense within the tale.

As for translating all this to the table of a Roleplaying Game session: No one at the table will know how a Jump Drive works–which is why die rolls can be made to see if it can be fixed.

This is why I think the procedures for determining Throw values in The Traveller Adventure are so interesting and valuable: The book suggests rolling 2D6 to determine the Throw value! This means the Referee is not responsible for knowing how difficult it is to repair a Jump Drive. His job is to determine a random value of difficulty and adjudicating the results of efforts on the part of the PCs.

The point being that if the Throw to repair the Jump Drive fails (or the Player Characters don’t have the skill required to even make a Mechanical roll), the Referee says, “Yeah, you can’t repair the ship. And you don’t have enough money to get a repair part. But you know how much one costs so you can earn the money. And you know where you can steal one…”

That’s not about science. That’s about adventure.